Izabela Gwizdak

A music journalist accompanies her father, a charmingly stubborn Holocaust survivor, on a journey to his homeland. While she's eager to make sense of her family's past, her dad has an agenda of his own.

In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?

Ki is a young woman who no longer wants to live with the father of her child. She moves into a house in which lives Miko, a serious man who does not care for distractions. The responsibility of raising a child on her own comes up against the need to work and the wish to live a carefree life.

Totally depressed thirty year-old woman decides to have an abortion. Waiting for the surgery, she spends a night with a father of her child.

In order to save their rehab facility, four cross-addicted anonymous alcoholics undertake a very risky task to smuggle two tankers of spirit across Poland. For their own safety, they kidnap their therapist for the trip. However, the journey turns out to be more dangerous than they expected. After them – or rather the illegal alcohol they are transporting – is a Customs Officer, who is not entirely who she says she is. From then on, everything gets complicated.

Dear Ones is an allegorical story about people who need to make real contact with their family and friends. Piotr is looking for a purpose and order in his life. To find it, he turns to magic, religion, and psychology. Unexpectedly, his father calls him and asks Piotr to come to his family home immediately. Piotr arrives at the same time with his sister, Marta, whom he hardly remembers and does not recognize. The father called for Piotr and Marta because their Mother went missing. Family members who meet for the first time after many years begin to search together. The facts they discover about their mother make them re-define what kind of family they are.

Ensconced in a solitary existence, Paweł believed that his feelings for the young man he once loved in Brussels had long since ebbed. That is, until one rainy afternoon, when he finds Clément waiting at his home in Poland.

Aracy de Carvalho is a young clerk at the Brazilian Consulate. For two years, she has been secretly issuing passports to Jews without the dreaded "J" stamp, which not only won't allow them to travel, but will doom them to the horrors of concentration camps. When newly appointed diplomat, João Guimarães Rosa, arrives in Hamburg, the two fall madly in love. Aracy would later be honored by the Yad Vashem with the Righteous Among the Nations Award. João would be known as the greatest Brazilian writer of the twentieth century.