Valeri Tsvetkov

In January 1942, Adolf Hitler appoints Fedor von Bock to command Army Group South and supervise Operation Blau. The German forces advance in the south of Russia, scattering the Soviets and approaching Stalingrad, that seems on the verge of falling to the enemy's hands. The movie ends with Vasily Chuikov assuming command of the 62nd Army at September.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Young lieutenant arrives to tank regiment stationed in the Central Asia. He uses unusual for Soviet Army methods to train his soldiers. It predictably leads to tensions with superiors and subordinates. However later it pays back during live exercises.

Reconstructed from archival documents and historical studies, a chronicle of the 1916 popular uprising in the Hungry Steppe and the Jizzakh Steppe.

One day in a life of a general during the fights of 1941...

Crowded alleys of the evening park, music, laughter, festive fireworks. And the two are talking about murder or suicide, about the syringe found in the dead woman's hands, about the time when death occurred. These two are employees of the criminal investigation department. They will have to find criminals in a large, busy business city who stole, cheated, and, if necessary, did not stop at murder, removing unintended witnesses or unreliable accomplices from their path.

At the beginning of the First World War, Alexander Dragovich went to the front as a teenager. The October Revolution caught the hero in captivity in Russia. Like many of his countrymen, Alexander defected to the revolution. After becoming a chekist, Dragovich was sent to Turkestan. The film tells about the heroic struggle of a special purpose unit with gangs of Basmachi, spies of various stripes and saboteurs, about the adventures of the anarchist Kolya and the tragic love of Mushtari and Dragovich.

Beginning of the 1920s. Jantai and the hero Mergen, residents of one of the mountain villages in Uzbekistan, set off for Moscow to order a monument to Lenin from a capital sculptor with the money collected by the people and to bring it back to their village. They are assisted in fulfilling the order by a homeless boy named Grishka, who has joined them in the capital.

About the family of the old man Achila-Buva, about his children and grandchildren living in an Uzbek village, about an old plane tree covering the saplings with its branches.

The history of Bender's hunt for the underground millionaire Koreiko develops in the 1920s. Bright characters, adventurous adventures and a light veil of a bygone era in a new version of the classic work of Soviet literature.

Based on the short stories “Gunsmiths’ Street” and “The Round Seal” by Kamil Ikramov. In the ruins of an old Tashkent house, a group of Pioneers found a notebook belonging to a Bukhara blacksmith. The old master’s grandson, a teacher named Talib Sattarovich, learned of the discovery.