Mücahit Koçak

Three strangers with one thing in common — the same father — come to a Turkish village to bury him, and learn about him and each other.

Harun returns to his hometown to convince his father to move. The two encounter with the issues of the past.

Alis, an Armenian woman in Turkey, returns to her summerhouse to find her surroundings gone. Urban change threatens her home. Haunted by childhood traumas, she resists, planting her plastic umbrella as a quiet yet firm defiance.

Ishak, a teacher serving his compulsory duty in Anatolia, is working to solve the issue of child custody with his ex-wife, while at the same time struggling with Yusuf, the most mischievous student of the class who makes Ishak deviate from his ideals, to assert his authority. As he gradually drifts away, Ishak decides to recover his ideals but soon realizes that nothing will ever be the same again. A community disturbed by a quarry and, amid this discomfort, the case of a girl gone missing: This story makes us question the way we fight evil.

Written and directed by Ali Taner Baltacı, this 40-minute production brings Atatürk and other important figures of Turkish political history to the screen.

After a worker is severely injured in their family business, Kadir is forced into making a moral decision, which will have an impact on his dreams, his family, and the life of injured worker’s wife

12-year-old Orhan goes hunting with his friend Hikmet, but their adventure ends with the tragic death of Hikmet. Many years later, Orhan tries to hold on to life, living in one of the ghettos of İstanbul and working in a factory. When the factory lets him go, Orhan starts to work as an entertainer on tour boats on the Bosphorous. His job is to entertain the tourists in costumes of famous historical figures.

A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. She has to make a moral choice that will affect lives of her mother, judge and murder suspect client.

A rigged boxing match that goes wrong connects the fates of three unaccomplished men. Ferit Kamaci is an ambitious amateur boxer who has passed the age of going pro. One night, Ferit secretly decides to get on the ring at the opening night of Rita, a nightclub in the ghettos, instead of driving his brother's taxi in that night's shift. Ilyas Kargi, a middle-aged man who is a mafia in the ghettos, owns the nightclub. He is trying to strengthen his relationship with his son through organizing an opening night match, where a discreet bet is placed. Babür Taha Öner, Ferit's cousin, bets all the money that he stole from his uncle on Ferit, trusting that he'll hit the jackpot. When Ferit knocks out his professional opponent in the ring, a series of events unfolds that lead to the death of his brother Ali.

Taner is a young inventor living in a small town named Gedelli in the middle of the moor. He had lost his father so he was forced to support his family therefore he was not able to attend the Science High School, to which he was admitted, although he wanted it badly. Taner’s mother always tried to get him married, but Taner had no intention to do it as there was a love in his heart, which he had not been able to forget for years. His childhood sweetheart Dilek.

Vefa Sultan immerses audiences in the spiritual heart of the Ottoman Empire, portraying the devoted life of Muslihuddin Mustafa—revered as one of Istanbul’s spiritual sultans. Through its rich atmosphere, the production vividly recreates the era’s social and cultural fabric, offering a captivating glimpse into the world of faith and tradition.

The life of Fuat Akıncı, a successful and respected lawyer, changes when his daughter experiences an unfortunate event. Seeking revenge, Fuat responds to mysterious messages sent to his phone that will eventually turn his life upside down and make him confront his past in the middle of darkness and light.