Maurilio Leto

Fighting a modern, fragmented and brutal Mafia, the Sicilian Anti-Mafia Squad seeks to crush the criminal network that holds a death grip on the region. Sophisticated surveillance helps, unless the enemy lies within.

Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)

The story of Salvatore Riina, a mafioso boss from Corleone, Sicily.

The young "Commisario" detective Salve Montalbano, based in a village, solves mysterious crimes in Sicilia.

After the death of its youngest son, the lives of a Roman family take separate paths.

At the end of the seventies the Red Brigades are plotting a new target to hit, the president of the Christian Democrats Aldo Moro. On 16 March 1978, the band of the Red Brigades went on the attack. The terrorists kidnap Aldo Moro and kill all the men in his escort.

Nicola is a man who has spent much of his life in a mental institution, though not always as a patient. Nicola's mother suffered from mental illness, and when young Nicola grew old enough to understand some of her stranger behavior as well as the family's other dark secrets, a few of the adults around him preferred to suggest he was disturbed like his mother, and he was encouraged to visit an asylum not far from his home. As an adult, Nicola has spent enough time around people who have a tenuous connection with reality that he has a superficial resemblance to them, and has developed a strange set of imaginary friends to go along with his eccentric real-life companions and the woman he loves from afar, Marinella.

Two segments: In the first one Felice, a baritone who has had to give up his career because of a heart condition and now works as an accountant at the Opera, inexplicably spends his nights laughing in his sleep. When his best friend, a cripple, takes his life and his wife abandons him Felice decides to die himself. In the second segment two kidnappings in Sicily, the second of which took place a century before the present one, are compared.