Ondřej Volejník

Ulice is a Czech soap opera produced and broadcast by Nova. In the Czech language Ulice means street. The show describes the lives of the Farský, Jordán, Boháč, Nikl, and Liška families and many other people that live in Prague. Their daily battle against real problems of living in a modern world like divorce, love, betrayal and illness or disease. Ulice often shows crime.

A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

Alex Plan, a school ombudsman, strives for fair solutions for everyone, often going against the grain of the system and established practices. He advocates for people experiencing problems in education and tackles issues such as teacher murder and student sexual harassment.

The six-part drama directed by Tereza Kopáčová based on a script by Miro Šifra and Kristina Májová returns to a love story that traumatized several generations of Czechoslovaks. What preceded the infamous family tragedy of 1968? What followed it? Where can disrupted relationships in a closed rural community lead? What do we take with us as an inner legacy from our parents?

Set in Stalin-era Soviet Union, a disgraced MGB agent is dispatched to investigate a series of child murders -- a case that begins to connect with the very top of party leadership.

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

Gregorius, the Outcast. As an infant, he was abandoned by his own parents, conceived through the sinful love of a brother and sister. As a young man, misunderstood in a humble fishing village, he imagined the lake as an ocean, a small boat as a throne, and a spear as a royal sceptre. Yet deep within, he knew he was destined for something greater. Driven by a desire to become a knight and make the world a better place, Gregorius embarks on a journey that reveals the unfathomable ways of God. For within every sinner, there may also dwell a saint. Whether you are an outcast, a knight, a king, a hedgehog, or a pope, beneath the heavens there is ultimately only one true path: the path of a pure heart. Gregorius, the Chosen One. Inspired by Thomas Mann's novel, Tomasz Mielnik's poetic absurd comedy transports audiences to a long-lost age, when the star-filled sky served as a map of endless, radiant, and irresistible journeys.

Sir "P" a 90 year old gray parrot, formerly living with Edouard Daladier, the French prime minister responsible for signing the Munich Treaty, comes to Prague to give his "account" of the past events. But can he do it, being just a bird? In a series of weird events sir is kidnapped by a Czech journalist undergoing his midlife crisis. The guy has him publicly say some really controversial statements, causing a diplomatic scandal. At the end of the day it is the French who decide to assassinate their own national hero....And that's only the half of the story.

On New Year's Day, two boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.

Carefree Jindřiška (23) discovers that her father owes a lot of money when debt collectors arrive to confiscate their house. In a single day, Jindřiška's world falls apart, forcing her to choose between helping her father or saving herself before it's too late.