Rosemary Hochschild

A bored New Jersey suburban housewife's fascination with a free-spirited woman she has read about in the personal columns leads to her being mistaken for the woman herself and into a chaotic adventure of amnesia and self-discovery.

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

A story about a madman with a movie camera. He's a narcissist, nihilist, sexual sadist and killer of innocent women. His name is Charlie and WILD IN BLUE is his world: a place of evil, violence and perversion where only his camera tells the truth. He set out to make an honest film for you - no lies whatsoever - and after the madness and all the hate, you will love him.

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

An enterprising ex-convict overcomes tragedy by designing his own path to success within a society that failed him.

An aspiring young actor moonlights as a male stripper while looking for work in the theatre.

In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.

Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."

After putting her daughter to bed, Aura finds that an elderly woman has broken into her house. The intruder, who acts strangely familiar with Aura, begins a ritual, summoning something dark into the living room. Aura tries to keep her daughter safe and grasp just what the hell is going on.

Following the erection of the Berlin wall, special agent Carl Halman is assigned by East German intelligence to move to New York where he’ll “sleep” as a writer until he is called. Using the code-name “April 23,” Carl successfully infiltrates the uptown-downtown literary world in 1950s New York. He edits a magazine, follows the Knicks, and marries Melinda, the socialite wife of best-selling jock novelist Hubert Cleaver, Ayden’s hilarious Norman Mailer pastiche. Through Carl’s eyes, we see New York City change from an outpost of Europe to the new capital of an anarchistic, post-ideological world. But then, when Carl least expects it, he’s called.

Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.

A Super-8 movie based on the case of grandmother murderess Velma Barfield who was executed for murdering her husband. It was described by Tessa Hughes-Freeland in "The Underground Film Bulletin #4" as "A murderess's last testament, explicating her view of the world, of her crime, and of her punishment. Intimate, compelling and ultimately disturbing".

Twenty-four-year-old Kara Zor-El, who was taken in by the Danvers family when she was 13 after being sent away from Krypton, must learn to embrace her powers after previously hiding them. The Danvers teach her to be careful with her powers, until she has to reveal them during an unexpected disaster, setting her on her journey of heroism.