Tiago Retré

A fable with people and furrys about the creative industry and the commercial arts.

Vítor Guerreiro, the authoritarian and eccentric Chef of the uber-chic Lisbon restaurant “Divina Comédia” hires Manuel, a bumbling interviewee from Braga, in order to irritate the manager Kika.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal.

Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.

With Don Quixote, by Cervantes, as a background the play is set in the backstage of a theatre house focusing on the routine of a young actor that's more of an extra - dreaming more than achieving, closer to failure than to talent he dreams of a life of glory and recognition. We watch romantic, artistic and social adventures and misadventures of a generations profoundly inept against another that simply gave up on being. A comedy about the fear of rejection with double edged swords and the tale of the knight of underachievement.