Túlio Starling

In the midst of Carnival, taxi driver Manoel finds a sex toy in his living room. Huge and still sticky, the object sets off a tragicomic journey that shakes his imagination and challenges his sense of masculinity.

João and Pedro are cousins who meet for the first time since their childhood. They're dealing with the inheritance of their grandfather's farm, which is about to be sold to an industrial sugar mill. While they sort out the matter, forces of nature beyond their control will unravel unfinished issues between the pair.

Everything seems to be going well in the stable relationship between Mari and Rafa, until Isis and Fred move into the apartment next door. The new neighbors make no secret of the fact that they are in an open relationship.

Nando, a 12 year old boy, narrates the adventures of his father Antonio, during the 60s in Brazil, who leaves the inland of the state of Minas to go to Brasília, a recently inaugurated city, but still with construction works in progress.

Recently divorced, Roberta is living her best life, until she discovers that someone has turned her biggest secret into the plot of a soap opera — where she is the villain.

Take a trip on the wild side with these six daring short films from Mexico, Portugal, Brazil, Spain and France that uncover the power of nature and mysticism, family ties that bond yet suffocate, the vagaries of same sex attraction, the pain of memory, the thrill of what's to come. The 6 short films are: Memory of An Afternoon On the Roof [Recuerdo de una tarde en la azotea] (2022); Afternoon Sun [À Tarde, Sob o Sol] (2020); Sweet Water [Água Doce] (2023); Cor Petit (2023); Haiku (2022); The Boy Who Wanted to Fly [El niño que quería volar] (2018).

O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Within a society that reviews its values ​​and paradigms, where power relations are put in check, the feminine and the masculine gain new meanings.

After the mysterious disappearance of his father, Joventino, the cowboy José Leôncio becomes a wealthy farm owner in Pantanal. Over twenty years have passed and, bitter-hearted because of his father vanishing and the escape of his wife to Rio de Janeiro with his baby, José Leôncio has the chance to make amends with the boy, now a young man raised in the big city with very different values and habits than his own.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.

Paz is a self-centered influencer who arrives in the town of Água-Marinha, where she clashes with a local activist and is “canceled” for offensive insults. One hundred years earlier, in 1922, Cecília is facing a forced marriage — a life she doesn't want — in Água-Marinha after her parents’ death. Mysteriously, the universe gives the two women an exit as they are swapped into each other’s bodies.

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