Alison Lloyd

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

The trials and misadventures of the staff at a country veterinary office in Yorkshire. James Herriot, a young animal surgeon, moves to a small Yorkshire town to begin his first job.

A young couple from Merseyside and their off again/on again relationship.

Brass is a British comedy-drama series created by John Stevenson and Julian Roach, and produced by Granada Television for ITV and eventually Channel 4. Satirising the working-class period dramas of the 1970s and the American supersoaps such as Dallas and Dynasty, Brass was unusual for ITV comedies of the time, as there was no laugh track and the humour deliberately kept extremely dry, using convoluted wordplay and subtle commentary on popular culture. Set primarily in Utterley, a fictional Lancashire mining town in the 1930s, two feuding families—the wealthy Hardacres and the poor, working-class Fairchilds, who lived in a small terraced house rented from the Hardacre empire.

Two schoolboys, Czech refugee Pavel 'Soldier' Szolda and local lad Jim Woolcott, get caught up in an international assassination plot after witnessing a crime, leading to a tense cat-and-mouse chase across Northern England.

A young Yorkshire boy struggles to come to grips with squabbling parents, a doctor who wants to institutionalize him because of his epilepsy, and a mother who refuses to accept that he is different in any way – and that is only the half of it. The boy, Tim, also acts as a go-between for his friend Carns, who is having an affair with a married woman. Eventually, things start to sort themselves out, and Tim sees life getting more interesting when he and his friend Win slowly get a relationship going.

Two news broadcasters, through investigation, find that they were left behind after the biblical rapture. Bronson Pearl and Helen Hannah are two news broadcasters who are covering the impending war in Israel. Yet, suddenly millions of people disappear, then a new leader performs an incredible miracle. These are astounding media events. Helen soon comes to the realization that these times are fulfilling biblical prophesy... and she was left behind.

When Denis Midgley's father is rushed to hospital, Midgley drops everything to be by his side. They've never really got on, so Midgley wants to be sure he's there if his father ever regains consciousness. As he hates his job as a schoolteacher, and his home-life with his wife, her senile mother and their insolent teenage son, he has no qualms about lingering around the hospital. But as days turn into weeks, his father obstinately refuses to 'slip away', and Denis' motivation for staying by his father's bedside has more and more to do with Valery, a young nurse.