Rafiq Subaie

A Turkish take on James Bond.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

The story of a young Palestinian who left his refugee camp to become a resistance fighter in the Palestine Liberation Organization.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..

Amal is a pretty girl who works for a lady in her big house and is in a relationship with Walid, but she suffers as people misjudge her because of her beauty, harassing her and believing that she would be easy prey. Although her employer insists that she entertain her guests, Amal can't quit as she desperately needs her job.

The film is set around 1914 when Lebanon was under the Ottoman Empire rule. The empire enslaved men to work for free. Abdou goes to get Adla the engagement ring but he's arrested with others and are taken to cut lumber. Meanwhile the Ottomans prevent the wheat from arriving to certain villages because they want to defuse the ongoing resistance operations led by Abou Ahmed. Adla travels to where some say Abdou is held prisoner and she meets with Abou Ahmed. She along other villagers start helping the resistance get the wheat to the people. When they accomplish their mission, Abou Ahmed, freed Abdou and others escape because now they're wanted, but on a promise to return and to continue fighting.

As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.

Laila is a smart woman who managed to make her way among businessmen outside her country. When she returns to her country with the aim of convincing her only daughter, an engineer, to travel with her, the daughter refuses. The businesswoman also discovers that her partners in the suspicious deals are conspiring against her, so she threatens them with the illegal documents in court. After a long struggle, she decides to live with her daughter and liquidate her business relations, but it is too late!

Chaos erupts in a village after a series of burglaries take place, prompting Najma, the daughter of a guard, to think of a solution. She disguises herself as a man and becomes the village vigilante.

Queen Nazli's daughter disappears at a young age, and the queen dies without seeing her. The heirs take advantage of the disappearance of the daughter to divide the wealth among them, but when the daughter suddenly appears, they try to stop her from having the wealth.

Syrian-Palestinian film The Knife (1971), based on Palestinian revolutionary Ghassan Kanafani‘s novella All That’s Left To You; an allegorical story of Palestinian attachment to land and family, and the sorrow over their loss.

A man breaks into Nagy's house and burns classified documents. Ali Baba, Nagy's friend, tells him about the incident, and then Nagy dies in mysterious circumstances. However, all fingers point to Ali Baba as the main suspect. Meanwhile Laila arrives to uncover her cousin's murder.

A historical saga about the second caliph and Commander of the Faithful Omar Bin Al-Khattab and his pivotal role in the Islamic State.

A man entrusts Abu Al Makhraz with a huge sum of money and disappears. When Abu Al Makhraz dies, his family finds themselves pitted against his relatives.

When the Abbasids overthrow the Umayyad Caliphate in Damascus, slaughtering nearly the entire dynasty, one young prince escapes — Abd al-Rahman. Hunted across deserts and seas, he eventually reaches the fringes of the Muslim world and, through sheer will and political genius, founds a new Umayyad emirate in Andalusia. Written by Walid Seif and directed by Hatem Ali, this is the first chapter of their celebrated Andalusian trilogy — epic, human and historically meticulous.

Set in a traditional Damascene neighborhood, the story follows—in a comedic way—the protagonist's quest to find the woman he loved but never confessed his feelings to over forty years ago, after he begins seeing her in his dreams every day.

The series presents archetypes that reflect the issues encountered by people who are about to marry, as all the romance fades once the groom is forced to pay all he has in order to secure a house, turning his life after marriage into a struggle to pay off his debts.