Patricia Meeden

The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

Shows the interaction between Hamburg police officers and paramedics.

The series is about a cruise ship that travels to places around the world.

Georg Wilsberg is an antiquarian in Münster. He used to be a lawyer but lost his license. Since then he has been working as a private detective. The always clammy Wilsberg urgently needs this income. In addition, he depends on the support of his friends, especially because of the car.

Berlin, 1888. After penniless Ida’s life is saved at the Charité Hospital she must work off the treatment costs. While she becomes acquainted with the most brilliant physicians of this era at the world-famous hospital, the self-determined young woman discovers her passion for medicine.

A young street-smart, Nathan Drake and his wisecracking partner Victor “Sully” Sullivan embark on a dangerous pursuit of “the greatest treasure never found” while also tracking clues that may lead to Nathan’s long-lost brother.

Ida wants to perform with her class at the annual Forest Day to campaign for the protection of the local forest. Even Helene is there, as she hopes to use the footage of the performance to build up her influencer channel. What nobody knows is that Helene's family is on the verge of bankruptcy and Helene urgently needs followers to avert the threat of bankruptcy. Helene is also under pressure from the high expectations of her magical animal, Karajan the cat from Paris, who imagines a life of pure luxury.

When they learn of an outbreak of a dangerous virus shortly before their long-awaited return to Earth, a teenager and his mother struggle to decide whether to land or return to space aboard their confined spaceship.

Toni and Marc want to divorce, because the great passion seems to be extinguished after 15 years of marriage. It should be a consensual separation, but the new beginning is not so easy: Both have just the chance of a job abroad.

Pregnant Sara and her husband Jan are full of anticipation for their family-free honeymoon in New York. However, father-in-law Antonio has completely different plans and unceremoniously joins the young couple, which puts both Antonio and Jan's relationship, but especially the newly married couple's relationship, to a tough test in this turbulent cinema comedy...

Heidi heads to the Heidelberg Christmas market to sell her hand-painted ornaments. While there, she falls for a local artisan who helps her reconnect with her lost heritage.

Riley Owen, a bodyguard, is tasked with protecting Lady Anjali Cassley from a ghost. Despite the fact that the job seems ridiculous, he decides to accept it.

A CELEBRATION OF DISNEY CLASSICS - FEATURING ALAN MENKEN In 1989, THE LITTLE MERMAID marked Disney’s glorious return to the genre of the grand fairy tale musical. Music was more important than ever for these big screen masterpieces, breathing life into the skillfully animated fairy tale worlds. One name shaped the films of the so-called "Golden 90s" and beyond like no other: Alan Menken. Besides THE LITTLE MERMAID, the composer wrote scores and songs for the modern Disney classics BEAUTY AND THE BEAST, ALADDIN, POCAHONTAS, THE HUNCHBACK OF NOTRE DAME and many more and lend the Disney's dream worlds their unmistakable sound.

Is there a risk to a child's welfare if a girl is denied the opportunity to learn to hear? Or should parents be free to decide which life is best for their child? A difficult case - even for an experienced judge like Jolanda Helbig.