Christian Klemash

Former Green Beret Louis Stevens returns to his hometown of Miami after completing military service in Brazil, only to learn that his old high school has become a haven for gangs and drug dealers. After Stevens uses his capoeira skills to kick several drug dealers off of the school property, Kerrigan, one of Stevens' old teachers, sees the impact that Stevens has on the students. Kerrigan gives him the task of teaching Capoeira to a handful of the worst at-risk students at the school.

During his 18 years in Folsom Prison, street-gang leader Santana rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits.

15-year-old high school cheerleader Angel falls in love with Tony, a leather-clad, dope-smoking biker. When Tony robs two jewelry stores, Angel’s local reputation is soiled, and her parents move the family to Bakersfield for a new beginning. But Tony soon makes a desperate escape from jail and goes hunting for his girlfriend.

In the 1950s, guitar-playing drifter Dude Delaney wanders into a quiet town looking to play music and generally cause trouble, much to the chagrin of the local sheriff, known as Sarge. While palling around with his B-movie-obsessed friend Nixer, Dude meets the beautiful Donna, and is offered a position in a rockabilly band, but the sheriff is intent on getting rid of him by any means necessary.

A young woman, traumatized by rape at an early age, slowly learns to trust and love again as she struggles to avoid repeating her mother's mistakes.

Fact-based story about the emotional trauma and following legal problems of a young woman who was raped by an acquaintance.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.