Isidro Fernán Valdez

The head of a criminal gang has all the power among his men until one decides to testify against him.

An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.

A medical student convicted of debauchery is reintegrated into society. The film was produced in 1969 but released marginally in 1975 on the same day as 3 other more transcendent Argentine films, so it was forgotten almost instantly.

A young couple has established an unusual family role: she works and he does the housework. Until one day, the couple's best friend intrudes on the tranquility of the home.

Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.

A boy leaves home to take singing lessons with a teacher whom he befriends and a beautiful and ambitious young woman appears

Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

During a local festival, a mysterious stranger appears in town, heading towards a violent confrontation.

A woman close to turning 40 is in a strange relationship with a teenager in the absence of her husband.

How crime is manifested in Buenos Aires city.

A boy comes from inside the country to succeed as a pianist, protected by a lady of high society. The woman, somewhat older than him, young man falls in love madly in unrequited love.

A gambling priest opposes a group of scammers.

"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.

A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.

Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.

A prostitute and a sewer worker try to rebuild their lives, but his ex-wife complicates the relationship.

The story of a middle-class married couple who really loves each other, but who are unable to transmit their feelings, while the routine corrodes their relationship.