Klaus Bräuer

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

Achim Bornhak's movie focuses on the restless life of Uschi Obermaier, the icon of the 1968 movement in Germany and groupie. At the age of 16, Uschi is bored by her job in a photo lab, but soon becomes the "it girl" of Munich's club scene. When she gets to know Rainer Langhans, they move to Berlin and live in "Kommune 1", the first politically-motivated commune in Germany. While the other occupants claim she isn't political enough, Uschi just wants to have fun, works as fashion model and leads international music stars in temptation.

Things were going well for our church. We spoke of our Founder with awe and appropriate gratitude. Everything was running smoothly. So the news that He planned to visit us soon came as a surprise, to say the least, and was quite shocking. The moving story of an unexpected return.

To avoid losing her house, unemployed widow Pia Brandt forges her references and gets a job as a private secretary. Pia is to assist the noble Isabel Haberland. Pia also has to keep the ladies of high society happy. And her four lively children are not easy to keep away. When she falls in love with the potential husband of the Haberland's daughter, Pia's nerve-wracking balancing act becomes an acid test.

Bruno, a bus driver in his mid-50s who was a surgeon in the GDR, has lost his job.

Divorce lawyer Maja lives alone with her son Niklas and has sworn off men after one too many disappointments. Now her first case at a new firm holds quite a surprise: The other party's lawyer is Hanno - an old flame of Maja's. But as she wakes up after a car accident, she realizes she can suddenly hear the thoughts of all men around her. This offers new opportunities for her private life as well as her job.

Comedy about a wedding that doesn't take place. Which leads to insights nobody expected. Irene and Lutz Steimle as well as Margret and Robert Heller meet for the first time in an idyllic castle hotel in Mecklenburg to celebrate the wedding of their children Laila and David. Two couples whose own marriages are not in the best of shape.

All hell has broken loose in the afterlife because the scatterbrained Schulz has killed his friend Frieder instead of the architecture student Sebastian. Frieder's soul rebels until the underworld agrees to give him a second chance. But first he has to persuade Sebastian to commit suicide.

Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.

Three young men kill two policemen after a chaotic bank raid; a problem which forces the trio to make a desperate escape across the border to Poland.

Charming, lonely, 400-pound railway guard Bruno discoves a new life and a new love on the road to the world Sumo wrestling championship.

Two couples and their children go on an excursion into the forest. They are young, successful and well-set parts in today's social-political establishment. When their children disappear in a storm, the entire construct of their friendship starts to crumble. Very soon, their bourgeoisie façade falls and the four turn into the profile of a lost culture. What follows is an odyssey through the forests that turns more and more into a journey into the metaphysical. The story is told in fragments and out of chronological order. The forest and the film imagery act as a poetic expression of the inner mind, creating the metaphorical psychogram of a lost cul-ture that desperately looking for a way out and a future. It is a poetic portrait of today's society.

Gute Zeiten, schlechte Zeiten is a long-running German television soap opera, first broadcast on RTL in 1992. The programme concerns the lives of a fictional neighborhood in Germany's capital city Berlin. Over the years the soap opera tends to have an overhaul of young people in their late teens and early twenties; targeting a young viewership.

Für alle Fälle Stefanie is an German medical drama television series created by Werner Krämer that aired on Sat.1 from May 15, 2005 to August 29, 2005. It was produced by Novafilm Fernsehproduktion. Für alle Fälle Stefanie follows the professional and personal life of nurse Stefanie Engel, then Stephanie Wilde and for a short time Fanny 'Stephanie' Stephan. The show was a giant success for the network and had around seven, in later years, five million viewers on a weekly basis. It won the Goldene Kamera award in 1997 and the Bavarian TV Award in 1996.

Aktenzeichen XY … ungelöst is a German television programme broadcast since October 1967 on ZDF that aims to combat and solve crimes. Until 2003 it was produced in co-operation with the Austrian public service broadcaster ORF and Schweizer Fernsehen, a division of the Swiss public broadcaster SRG SSR idée suisse. It was the basis for the BBC show Crimewatch, the Dutch show Opsporing Verzocht and its US equivalent America's Most Wanted.

Hallo Robbie! is a German television series.

Die Cleveren is a German television series that was produced from 1998 to 2003 on RTL. It is about a nation wide special unit of the German Bundeskriminalamt, dealing with serial offenders. The main characters are the profiler Dr. Dominik Born and a policewoman of the BKA, who co-ordinates the necessary steps to be taken by the local police authorities.

Perhaps the fun-loving Lotta takes her impulsiveness a bit too far: so far, she’s taken a detour at every turn on the path to adulthood. Now in her mid-20s, she believes she’s finally found her place in life. After passing her exam to become a geriatric nurse, she naturally wants to return to work at “Haus Abendrot.” Once again, there are cheerful, touching, and even sad encounters with the residents of the nursing home, and everyone is happy that Lotta is back. But just now, as she’s making long-term plans for her future for the first time, fate throws a wrench in her plans. Lotta discovers that a fleeting encounter at a party has not gone without “consequences.” So Lotta is suddenly faced with the big question of how much responsibility she can and wants to take on in her life.