Gani Agzamov

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

Film adaptation of novel with the same name by big Uzbek poet and writer Oybek.

Lenin signs a decree on the establishment of a university in Turkestan.

Uzbek young man Rustam, a helicopter co-pilot, is participating in the construction of a high-voltage line in the Alps. One day in West Germany, where he was sent on a long business trip, the hero meets Uzbek emigrants. The external well-being of the new friends very soon revealed the catastrophic nature of everyone’s destinies. These meetings contribute to Rustam’s spiritual and civic maturity; the hero rediscovers the necessity and significance of his homeland, where his family and friends have long been waiting for him.

Based on the play of the same name by the Uzbek poet, playwright, and composer Hamza Hakimzade Niyazi. Exposing the feudal way of life, the wealthy landowners (bais), the clergy, and Tsarist officials, the film depicts the awakening of class consciousness among working Uzbeks.

A young man Bakhtiyar falls in love with a girl he saw on the TV screen.

The hero of the painting is a young man who is engaged in deciphering ancient cuneiform inscriptions. His life flows exactly according to schedule, everything is predetermined, calculated, taken into account. But suddenly events begin to develop so rapidly, unforeseen circumstances assert themselves so completely that Yunus cannot get to his own wedding for a whole day and becomes an active participant in many events taking place on that day in the city...

The film tells the story of Anzirat, an elderly woman who lives in a small village in Soviet Uzbekistan with her son, daughter-in-law, and their ten children, all boys. Because of her strictness the villagers call Anzirat "Grandma-General". Back in the 1930s, Anzirat headed the main farm of the village and went through many hardships. Even when she gets old, Anzirat does not want to rest and cannot put up with the laziness, greed, and negligence of some of the villagers. She tries to put things in order for her family. Her son, however, instead of helping his pregnant wife spends all his spare time building a family football team. Only after Anzirat's death do the residents of the village realize how empty their village is without her. They feel that Anzirat was the conscience of their village.

The movie tells the story of two filmmakers seeking talented people for acting in a musical entitled Maftuningman (Delighted by You). One of the filmmakers travels to different parts of the Uzbek SSR in search of potential actors. Wherever he goes he meets exceptionally talented people and hears about other gifted people in different parts of the country. The actors for the movie were in fact chosen in this way from different parts of Uzbekistan.

Having once seen a portrait of the shah dancer Madina Banu, the singer Murad-ali falls in love with a beauty and sets off in search of her. The hero finds himself in the palace of the Shah, and soon becomes convinced of the reciprocity of his feelings. But his appearance becomes known to the Shah. An angry ruler offers him a choice: rejection of his beloved or the burning of both at the stake.

For many years the great Emir of Bukhara has not known happiness - he has lost the taste to delightful khalva, and now life is as sour as a lemon for him. The house of poor pot-maker Shir-Mamed, however, is full of happiness - his little son Hodzha Nasreddin has been born. Rumours have spread about his unusual abilities - maybe he will be able to make the Emir happy again?

About the family of the old man Achila-Buva, about his children and grandchildren living in an Uzbek village, about an old plane tree covering the saplings with its branches.

Based on the short stories “Gunsmiths’ Street” and “The Round Seal” by Kamil Ikramov. In the ruins of an old Tashkent house, a group of Pioneers found a notebook belonging to a Bukhara blacksmith. The old master’s grandson, a teacher named Talib Sattarovich, learned of the discovery.