David Sinclair

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

New Scotland Yard is a police drama series produced by London Weekend Television for ITV from 1972 and 1974. It features the activities of two officers from the Criminal Investigations Department in the Metropolitan Police force headquarters at New Scotland Yard, as they dealt with the assorted villains of the day.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

Follows the linked fates of nine bank robbers, led by George. It begins with the nine men meeting in prison during their appeal and traces each individual after the group escape from custody.

The Misfit is an ATV sitcom created by Roy Clarke, broadcast from 1970 to 1971 on ITV. Basil Allenby-Johnson returns from Colonial Malaya to an England just emerging from the swinging sixties, a home he no longer recognises.

Dead of Night is a British television anthology of supernatural fiction, produced by the BBC and broadcast on BBC2 in 1972. It ran for a single series; of its seven 50-minute episodes, only three—'The Exorcism', 'Return Flight', and 'A Woman Sobbing'—are known to survive in the Archives. Another programme made by the same production team under Innes Lloyd, 'The Stone Tape', intended to be the eighth episode, does survive in the Archives but was not broadcast under the Dead of Night banner.

The World of Lee Evans was a BAFTA nominated TV show written by and starring Lee Evans and a range of actors, it followed Lee around getting stuck in tight situations and originally aired on Channel 4. The series was released on Channel 4 DVD in 2006 and features all episodes. The humour, which differs greatly from Evans' later stand-up humour, contains many elements of slapstick, and the show is similar in style to Mr. Bean. The series was a Granada Production in 1995 for Channel 4, and as Granada had adopted a new endboard cap at the end of their programs at this time, The World of Lee Evans was amongst the first ever shows to use the endboard. The series was quite popular though has had a very mixed reception in retrospect, some critics and Lee Evans fans saying the series is not as good as his other work. The series' slogan is If Lee Evans "needs to get from A to B, he starts at Z...".

Sally Harrison is a harassed, well-meaning but scatterbrained young widow doing her best to bring up two boisterous sons, Simon and Peter.

Jailed for his reckless driving, rambunctious Mr. Toad has to escape from prison when his beloved Toad Hall comes under threat from the wily weasels, who plan to build a dog food factory on the very meadow sold to them by Toad himself.

Hailed as the "rightful heir" to "The Wind in the Willows", William Horwood's critically acclaimed sequel comes to magical life in this beautifully animated feature-length classic. Join four of the best-loved characters in children's literature for their heart-warming and hilarious new adventure along the Riverbank, narrated by Academy Award-winner Vanessa Redgrave.

A Middle-aged couple are disturbed during the night by a series of unwelcome visitations.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

This video companion to the Canadian singer-songwriter's triumphant live album confirms in sight what that recording advanced in sound--Sarah McLachlan and her fine, flexible stage band have evolved into a superb live performing unit, breathing added fire and nuance into McLachlan songs that were already stunning in their original studio versions. Always a strong, charismatic singer, McLachlan now conjures a rare balance of delicacy and power, measured here in performances of signature songs that add a new, more muscular edge matching her band's rock firepower. Thus, "Possession" expands beyond its already sensual promise to touch on truly erotic abandon, while "Building a Mystery" focuses its portrait of a narcissistic poseur with a harder edge and a newly amended, R-rated lyric that's entirely appropriate.