Frederick B. Owens

Dating coach Alex 'Hitch' Hitchens mentors a bumbling client, Albert, who hopes to win the heart of the glamorous Allegra Cole. While Albert makes progress, Hitch faces his own romantic setbacks when proven techniques fail to work on Sara Melas, a tabloid reporter digging for dirt on Allegra Cole's love life. When Sara discovers Hitch's connection to Albert – now Allegra's boyfriend – it threatens to destroy both relationships.

College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar first exploded onto the West End stage in 1971 and it was clear that the musical world would never be the same again. For the first time ever, Jesus Christ Superstar has been specially filmed for video. Shot at Pinewood Studios, this brand new filmed stage version starring Glenn Carter and Rik Mayall captures one of the best score Andrew Lloyd Webber has ever written and is packed with hit songs including, 'I Don't Know How To Love Him', 'Gethsemane' and 'Superstar'.

In this special, a myterious evildoer is fed up with the bad guys losing to the good guys all the time. He steals the broadcast codes of the Fox Box and breaks it before giving each piece to the likes of "Kirby: Right Back at Ya's" King Dedede, DMP member Dialbolic from "Ultimate Muscle," "Cubix's" Dr. K, Dr. Eggman from "Sonic X," and The Shredder from "Teenage Mutant Ninja Turtles." The Funky Cops overhear this plot and set out to stop them. The Turtle see a preview of "The Shaman King" before setting out to find parts of the code. They are joined by Cubix, Kid Muscle, Kirby, and Sonic the Hedgehog. Can the good guys along with 1,000,000 viewers watching this special stop the bad guys and save their Saturday Morning block? Or will the villains be victorious for once? Well, how much do you want to bet on any side?

Smokey Joe's Cafe, Broadway's longest-running musical revue, highlights the best songs by the legendary song-writing duo, Leiber and Stoller. Included numbers are "Neighborhood", "Fools Fall In Love", "Yakety Yak", "Charlie Brown", "Jailhouse Rock", "Hound Dog", "Love Potion #9" and "Stand By Me".

Black and White is the story of Lisa, a young Soviet emigre studying medicine in Manhattan, Roy, an African American building superintendent on New York's Lower East Side, and the bond that they form from living on the edges of Manhattan. Filled with an assortment of fringe artists, disenfranchised immigrants, diamond dealers and sexual surrogates, the film is ultimately about breaking down barriers between people.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

When four pet turtles were bathed in alien ooze, they began to mutate and became the Teenage Mutant Ninja Turtles. Raised in New York City sewers by their foster father and wise sensei, Master Splinter, Leonardo, Michelangelo, Donatello, and Raphael wage war against crime. Led by Master Splinter, the four turtles learn the ancient martial art of Ninjitsu, mastering skills of stealth, weapons, and fighting. They stop evildoers in all forms, whether barbaric gangs, lowlife crooks, deranged cyborgs, or even the crime syndicate The Foot, led by their archrival, The Shredder.

Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.