Márcia Maria

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

The central story is focused on the daughters of Lulu de Luxemburgo - Tatiana , Alessandra and Ramona, who fight among themselves for Jardim do Éden resort, which their father, Fausto Cavalcante , left behind after cheating his two partners, Arthur Brandão and Manolo Gutierrez. With the disappearance of Fausto, the whole family, which was separated and spread across the world (between Rome, Los Angeles and Las Vegas), returns to Brazil.

In 1889, a conflict arose between the decadent and ruined rural aristocracy following the liberation of slaves and a new class of wealthy individuals, comprised of entrepreneurs emerging from the republican industrial class, interested in free labor. In the city of Ouro Negro, in the interior of São Paulo state, the conservative, aristocratic, and monarchist Almeida Santos family, which traditionally dominated the region, began to lose ground to the Lobo Ferraz family, representing the nascent progressive and republican bourgeoisie.

Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

O Direito de Nascer is a Brazilian telenovela produced by JPO Produções and broadcast by SBT from May 21 to October 2, 2001. Based on the Cuban radio serial El Derecho de Nacer (1940), written by Félix B. Caignet, it was adapted by Aziz Bajur, with collaboration from Jayme Camargo and Alcione Carvalho. Directed by Roberto Talma and José Paulo Vallone, the telenovela stars Guilhermina Guinle, João Vitti, Dhu Moraes, Jorge Pontual, Ana Cecília Costa, Luiz Guilherme, Elaine Cristina, and Esther Góes. Set in Havana at the beginning of the 20th century, the story follows Maria Helena, a young woman who becomes pregnant after being abandoned by her fiancé. Afraid of her powerful father's reaction, she gives birth in secret and entrusts her son to the maid Dolores. Raised away from his family, Alberto grows up to become a doctor, unaware of his true origins. Years later, the revelation of his past brings conflicts, forgiveness, and the chance for reconciliation.

Amor e Ódio is a Brazilian telenovela produced by SBT and originally broadcast from December 10, 2001, to April 16, 2002. It is based on the Mexican telenovela La Dueña (1995), inspired by the Venezuelan telenovela La doña by Inés Rodena. Adapted by Henrique Zambelli, with text supervision by Ecila Pedroso, the telenovela stars Suzy Rêgo, Daniel Boaventura, Viétia Zangrandi, Jonas Mello, and Malu Rocha. The story follows Regina Vilanova, a kind and wealthy young woman whose life is shattered after she is betrayed by those she trusts the most. Determined to rebuild her life, she transforms into a strong and independent woman, taking control of her family's estate. As she falls in love with the honorable Rodrigo Junqueira, Regina must confront betrayal, revenge, and family conflicts while learning that forgiveness may be the only path to true happiness.

A Deusa Vencida is a 1980 Brazilian telenovela, broadcast on TV Bandeirantes, directed by Walter Avancini and written by Ivani Ribeiro.

Competing for the concession of a TV channel, one of the contenders throws an orgy to defeat the other candidate.

After separating from her abusive husband, Analu knows Fernanda, a lovely lady who offers her shelter. The friendship between the two turns into an intense love affair, but Fernanda shows possessive and violent. The situation worsens when her husband discovers her whereabouts Analu and starts chasing her. And even worse when Fernanda also rejected, decides to put an end to the life of the lover, without considering the consequences.

Paulo, an engineer, adopts shoe-shining teenage boy Darci, and slowly realizes he has more than just paternal feelings for him. Many twists follow, regarding Darci's true identity.