Bożena Wróbel

Set in Poland in the 1970s, the main character half-heartedly goes about his job as a censor at the state run television station, whilst conducting affairs with nurses, airline pilots, etc. Interesting scene where main character must illegally emigrate to his own country.

Told as a film within the film, the story concerns an aging actress. Ewa is a flamboyant, pushy actress whose career and love life have come to a dead end. She lives in a faceless housing development. She is totally engrossed in herself and dreams of making a comeback as a singer. But her overbearing personality time after time sets her into conflict with those she tries to work with in the theater and her bedroom.

Ryszard Ochódzki receives a special assignment for UB - infiltrating the "Solidarity" party branch in Suwałki. His arriving there coincides with the imposition of martial law on Poland.

Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.

The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.

Christmas Eve night of 1976. In a village in the newly formed Tarnobrzeg province, a local bus hits a young married couple and a twelve-year-old boy. In the presence of numerous witnesses, the victims are beaten to death with a wheel wrench. In the aftermath of this crime, all the villagers are united by a conspiracy of silence. The dramatic scenario is freely based on the authentic case of the shocking 1976 Polanieck case.

As high school students put on a politically-engaged school play, tensions begin to rise between them and their headmaster. The conflict seems to mirror the social situation in the 1980s Poland.

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.