Brynhildur Guðjónsdóttir

A young girl in 1990s Iceland is caught between the life that took her brother and her own inability to strike out on her own. In her grief, she finds solace in metal and dreams of making her own music.

Five stories interwine into one. A blind man hovers above the city. Everything looks set for a perfectly normal evening in Reykjavík, until the the power goes off?

The siblings Eydis and Kari are only five and six years old when their parents' marriage breaks apart. As their mother struggles to find her footing following the divorce, they are sent temporarily to a countryside children's home. But the stay turns out to be longer than they had ever expected.

Kalli, a young boy living with his mother in the suburbs of Reykjavik, thrives in the world of movies and computer games. When he is sent to spend Christmas with his father's new family up north at an isolated farm, Kalli meets his stepsister, who he does not get along with. Soon he decides to run away, but only to be hit harder by reality and Kalli has to learn how to fight "real life" challenges while encountering imaginary and fictional creatures.

Crime writer Solveig Karlsdottir is pretty successful - although that's not particularly easy in Iceland. After all, with only two murders a year in the entire country, there aren't many sources of inspiration, but she makes up for this with a lot of imagination and her special feeling for things that aren't quite right. And this feeling kicks in strongly when she travels from Reykjavik to her old home village to look after her mother Margret, who is suffering from dementia. When an old friend from her youth is found dead at the harbor, she doesn't believe the official conclusion that it was an accident.

The comedy Our Own Oslo is an everyday love story. We follow the strained courtship of the wildly differing Harald, forty year old engineer and Vilborg, an unemployed single mother. They are both tangled up in their own pasts and their attempts at love end in disaster.

A pink-haired girl named Stephanie moves to LazyTown with her uncle (the mayor of LazyTown), where she tries to teach its extremely lazy residents that physical activity is beneficial.

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.