Stephanie Spruill

An unhappy, disliked image consultant gets a second shot at life when he is mysteriously confronted by an eight-year-old version of himself.

This is the story loosely based on Cleveland disc jockey Alan Freed, who introduced rock'n'roll to teenage American radio audiences in the 1950s. Freed was a source of great controversy: criticized by conservatives for corrupting youth with the "devil's music"; hated by racists for promoting African American music for white consumption; persecuted by law enforcement officials and finally brought down by the "payola" scandals.

Captured at his peak in 1977, this extraordinary live performance at London’s Royal Festival Hall showcases Glen Campbell in the company of his talented band and the Royal Philharmonic Orchestra. Featuring new orchestral arrangements of his iconic hits, including Rhinestone Cowboy, Southern Nights, By the Time I Get to Phoenix, Wichita Lineman, and Galveston, the concert also includes a stunning Beach Boys medley, a nod to Campbell's time as Brian Wilson’s tour replacement in 1965. As a special treat, Jimmy Webb—who wrote Phoenix, Wichita Lineman, and Galveston—joins Campbell on stage, creating an unforgettable performance filled with pure musical bliss.

Al Bundy is an unsuccessful middle aged shoe salesman with a miserable life and an equally dysfunctional family. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.

Can you tell the difference between fact and fiction? Several stories of strange, mysterious and incredible occurrences are chronicled during each episode. It is up to the viewer to decide which stories actually happened and which were completely fabricated by the show’s writers. The answer is revealed by Jonathan Frakes at the conclusion of each episode.