Robin Meisner

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

Shows the interaction between Hamburg police officers and paramedics.

Faced with staff shortages, the chief of a Cologne police department convinces two retired homicide detectives to come back into the force. As their immediate superior is a young woman, a generational cultural clash is inevitable.

Lena Lorenz is a captivating drama series that follows the life of a talented and ambitious midwife, Lena Lorenz, who returns to her idyllic hometown in the Bavarian Alps after working for several years in a bustling city hospital. Seeking a quieter and more meaningful life, Lena embarks on a journey of self-discovery, as she navigates the challenges and joys of her new profession in the picturesque rural village.

Truth, Dare or Lemon is a game played by stupid boarding school kids who don't know what to do with themselves. Before Tim died he was the number one of a close-knit boarding school gang. When the friends engage in a ritual one year after his death a familiar game turns into a sadistic night...

Each year in June, Bavarian housewife Elke Richter visits family in Halle, in the GDR. There she meets family friend Gregor Pohl, a married carpenter, and they begin having an affair. After her family stops the annual visits due to the husband's promotion in the communist regime, the adulterous couple arranges to meet on other holidays. After Gorbachev's Glasnost leads to the fall of the Iron Curtain, everything changes, and Gregor chooses to emigrate to Canada.

The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.