Fang Wen-lin

Follows two women who re-encounter each other after 30 years apart. Against all odds, they fall in love once again, and despite that youth is no longer on their side, they decide to spend the remaining of their twilight years in each other’s arms, no matter how much that may be.

When Luke proposes to Cai and hears a simple word "Sorry," he wakes up finding himself shaking on his bed. Luke tries again but is forced to return to the same morning of his proposal due to the repeated rejection.

Androgynous Phoenix Du, the illicit daughter of a presidential candidate, kills the thug who breaks into her apartment to silence her. She comes before prosecutor Jade Liu, guilt-ridden from the suicide of her brother and her strict Catholic upbringing. Before demanding Phoenix’s three-and-a-half years sentence for manslaughter, Jade has a night of passion with her that redirects both their lives. Phoenix writes her hundreds of letters and begs her to wait for her release. In fear of her own desire, Jade marries Meng Ye, the genderless young man she saved from prison who reminds her of her brother…

In a village called Tai-gia-ha lived a well-known and romantic fool. People called him "Yao". People in the village worried about him. They worried that who could take care of him forever and whom he got to spend his life with. Even so, he somehow owned lots of stories with someone. In an evening three months ago, Yao got lost because he ran an errand for his dad to buy him tofu pudding for his childhood's sweetheart. For these months without Yao, Xia and Shuei have lived in the contradiction and self-blaming of reuniting each other and losing Yao. In the meantime, Yao met a troupe director named "bearded man". In the end, how did Yao, seemingly growing up in one night after leaving his home, get back to Tai-gia-ha?

Yeh's directorial debut film pays tribute to the golden years of Taiwanese-dialect films in the 1960s.

Meilian and her husband Jianhe are the most loved-up couple, but three years ago, Jianhe became a vegetative state due to an accident. To cover the substantial medical expenses needed for their son’s long-term care, the Xu family has had to rely on various government subsidies to survive. One day, they were about to undergo an assessment to apply for a new subsidy, but unexpectedly, their son Jianhe passed away! Jianhe’s mother Yinggui and father Fuqiang, desperate to receive the subsidy, coerced Meilian into creating the illusion that Jianhe was still alive, leading to a series of absurd and comical events.

A karaoke-addicted elderly woman (Chen Shu-Fang) lives her life by the Taiwanese saying, “Guo Mie,” which translates to “as long as you devote your life to the creation of one thing, and do whatever you could, everything will turn out.” But her philosophy is seriously put into question as she struggles to come to terms with the loss of her estranged husband. She attends the funeral only to encounter his younger lover and then finds out that her children might have kept in touch with her late husband secretly behind her back. Director Joseph Chen-Chieh Hsu said that the story is based on his grandmother, who was forced to raise eight kids by herself after her husband ran away. The student short film was shot in his home country of Taiwan. Selected as a 2017 Student Academy Awards Finalist, the short also appeared in the 2018 Asian American International Film Festival. It’s the first time that lead actress Shu-Fang has sung in a film in over 40 years.

The Qiaotou youth LI Wen-hsin was arrested during the December 10, 1979, demonstration spearheaded by Formosa Magazine. After being thrown into prison, he learned a way to survive: mixing saltwater with white rice. He also recalled wonderful times with his girlfriend A-chun, the joys and suffering he shared with friends and family, and his longing for democracy. In this prison, referred to by inmates as the “Hotel Saltwater,” Wen-hsin and his companions, though suffering greatly, never let their thirst for freedom be extinguished.

In hospitals, a group of people are helping the families of braindead patients understand organ donation and seek consent for the procedure. They are the transplant coordinators. Wen Yu-du is a new nurse just stepping into the field of organ transplant. She has encountered countless challenges, still she overcomes them with her passion for the work. Yet the biggest challenge for Wen’s career as a transplant coordinator is just about to begin.