Anton Trón

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

Johanka had a fling with a well digger she had not met before and who, she was most likely certain, would never be around again. Just before his departure, they have sex and she eventually becomes single mother of a baby girl. Now, 18 years later, her daughter Paulina commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulina take up residence in the city. Johanka, prodded by her also-single friend Jozefka who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek only to discover later that he is married. Paulina, in the meantime, loses her virginity to the soldier Jirka who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see.

A young teacher grows up in a small Slovak village during the Second World War.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

A comedy about five students who are un-justly suspected of trying to lose their virginity before their graduation. The five girls first try to defend themselves, but when they find out that nobody believes them - neither the school principal nor even their own parents - they decide to accomplish what they have been falsely accused of. And although their clumsy attempts are mostly comic, at one point they almost cause a big tragedy.

Little Vinco longs to play in the village brass band even though his teachers say he has no musical ear. After many problems at home with his parents and at school, Vinco finally makes it in the village orchestra as a heligan player when he obeys his uncle Rafael and practices hard...

The loose sequel to the film "Pásla kone na betóne" returns to the familiar heroes after some time. The communist dictatorship is no longer raging and capitalism is penetrating even the remote corners of Slovakia. As it turns out, however, people don't change much over time, and their joys and worries are still the same. The tragicomic story depicts the vicissitudes of Johanna's new relationship with brewery manager Janko Kvašný, the unhappy marriage of her daughter Paulina and life in the new social conditions in an eastern Slovak village.

Young provincial actor Perda, long confined to minor roles, is cast unexpectedly as the lead in a vacuous new play by an ambitious writer. Despite a lackluster script and an audience that largely abandons the performance at intermission, the production proceeds to secure funding. Frustrated by being told to blend in, Perda ultimately decides to assert himself boldly on stage.

Jakubisko’s comedy about infidelity inside the community of lumberjacks in three chapters. First, a group of men gets to know that there comes a group of female brigadiers to a near village and tries to seduce them, which won’t come out as precisely as they wanted. In the next chapter, one girl got pregnant and lumberjacks tries to solve this by a wedding to a man called Domino. In the final phase, they’re struggling for the successful wedding and are afraid of possible punishment from their wives.

Barnabáš Kos, a meek and modest triangle-player in a state orchestra finds himself unfathomably promoted to musical director. Now drunk with power, the once timid musician turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision.

Many films have received almost no audience response at the time of their release in cinemas - this one is one of them. The story of a sick writer who returns to his native region to gain new physical and mental strength, however, did not impress, it is too artificial, with dialogues and plots rustling paper. It lacks both a believable depiction of the main character's mood and adequate realization certainty, the hero's silent discussions with the personified Inspiration sound cumbersome.

The unhappy and desperate director of the Šúpala Zoo tries to sell a sick bear to a foreign tourist for shooting, because the purchase of other animals for the ZOO is only possible with anti-socialist currency, i.e. hard currency, and so the administrator does everything possible and impossible just to get them...

A comedy about three flirtatious woodcutters realistically capturing Slovak village life and criticizing insincerity, hypocrisy and male pride.