Maria Alice Vergueiro

Rodrigo is going to die at the age of twenty. Before that, he becomes isolated within his subconscious mind and constructs a reliquary of his life.

At the height of the military dictatorship, an abandoned mansion in the center of São Paulo is occupied by militants, hippies, maniacs, homosexuals, punks, artists and poets, as well as immigrants from different parts of the world.

The short film depicts the neglect of an injured homeless man by the public service.

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

At age 15, Debora shares with Hamlet the angst and doubts of her adolescence.

A sudden mourning brings a woman to the edge of madness. Funeral procedures, heat and a neighbor that comes to water the plants, come together in an emotional journey where it is impossible to distinguish the real from the unreal.

The show shows the setting of a play and brings Maria Alice Vergueiro, a septuagenarian actress afflicted by Parkinson's disease, as protagonist. The movements are repeated to exhaustion and placed in comparison to show the passage of time to the actress, for whom this becomes much more noticeable.

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious lawyer who begins a relationship with a male colleague who is unaware that she's transsexual. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.

A film that mixes labyrinthine recent testimonies and historical images of the career of the tropicalista director, actor and playwright Zé Celso, of Teatro Oficina, one of the greatest personalities of the Brazilian arts of all time. The documentary acquired its main verb in four trips to key points in the trajectory of Zé: Bahia badlands, Cururipe Beach in Alagoas (where Bishop Sardinha was devoured), Epidaurus and Athens in Greece and his apartment in São Paulo.

Daniel is a taxi driver who’s married to Adalgisa. When she starts acting in low-budget movies, he forbids her from seeing their son, Joaquim. For more than a decade, Daniel nurtures a feeling of revenge for his ex-wife, which gains strength when their now adult son finds his mother in full professional decay.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

The theater, the actress, the actor: a love-hate relationship, a dispute, performances, the stage and life.

A film director and his wife retreat to the countryside to escape personal and professional struggles. With their autistic son, they seek a fresh start in a freer, more natural life.

High Court judge returns to the small town where he was born, bringing along his beautiful and young wife. The local men get aroused and start looking for young lovers at the local bordello. Their wives even make promises and novenas asking the disappearance of the new couple. One day, the judge dies, leaving his wife unsatisfied. The corpse, as if wanting revenge, keeps an erection on.

Meet a Brazilian lady who uses marijuana for more than thirty years and shares her experiences with the drug.

Two contrasting social groups get in touch: three architects and three street urchins, all struggling for survival.

After becoming a widower, businessman Aparício Varela takes over as president of Tecelagem Abdala and decides to win back the great love of his life, Rebeca.

Nine different women, their achievements, frustrations and conflicts, all played by Regina Duarte. At the beginning of each episode, the actress introduces the character she will play.