Lui Strassburger

Bertha is a widow and lives alone on an isolated farm in the mountains of Santa Catarina. Beginning to face difficulties in keeping the property running, Bertha is under pressure from her son who wants her to move in with him in an upscale neighborhood of Florianópolis. Upon learning of the arrival of a group of Haitians in Santa Catarina, Bertha decides to bring the Haitian Bastide to work and live with her, fueling her son's hostility. The coexistence transforms the working relationship between Bertha and Bastide into a sincere friendship between two people from different cultures who share common ideas and feelings.

A boy goes to his girlfriend's home and is handcuffed on bed before discovering some strange food habits from her family.

Diogo, a cowboy, meets Rodrigo, a boy who dreams of becoming a cattle herder, when he drives a large herd of cattle to the Ouro Fino farm. They become friends and witness the injustices that occur in the region due to the greed of Major Batista, the owner of the property where they take the cattle.

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

São Paulo, 2007. Santana works as a dogcatcher, picking up stray animals. He is a friendly guy, averse to trouble, who has always kept violence away from the doorsteps of his home. One day, he catches a very big dog in a school. Some days later, comes the animal's owner: Babyface, a sociopath ex-cop. The man is furious, considering his dog to be "kidnapped", and demands immediate restitution of his pet. But the dog is not coming back: according to the law, the animal was put to sleep. In a misunderstanding, Babyface argue with Santana, blaming him for his pet's death. From this moment on, Santana's life will be completely changed.

Dorival, a man in jail, has only one wish: to take a bath. To achieve his objective, he defies the private, the corporal, the sargeant and, finally, the lieutenant in charge of the prison.

The story of one of the most important Brazilian heroes, Joaquim José da Silva Xavier, known as Tiradentes. He was the leader of a group who tried to proclaim Brazil's Independence from Portugal in 1789. But he was betrayed by one of his comrades and hanged.

Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?

Éramos Seis is a Brazilian period drama telenovela produced by SBT and originally broadcast from May 9 to December 5, 1994. Based on the 1943 novel of the same name by Maria José Dupré, it was adapted by Sílvio de Abreu and Rubens Ewald Filho, with direction by Henrique Martins and Del Rangel and general direction by Nilton Travesso. The telenovela stars Irene Ravache, Othon Bastos, Jandir Ferrari, Tarcísio Filho, Luciana Braga, and Leonardo Brício. Set in São Paulo between the 1920s and 1940s, the story follows Dona Lola, a devoted wife and mother who struggles to keep her family together despite financial hardship and personal tragedy. As her four children—Carlos, Alfredo, Isabel, and Julinho—grow into adulthood, each follows a different path shaped by love, ambition, and loss. Through decades of sacrifice and resilience, Lola witnesses the joys and sorrows of family life while enduring profound changes that ultimately leave her to reflect on a lifetime of devotion.

Karin, Magali and Luna are three call girls, who decide to apply some marketing knowledge on the world's oldest profession.

Nine different women, their achievements, frustrations and conflicts, all played by Regina Duarte. At the beginning of each episode, the actress introduces the character she will play.