Anna Levchenko

This film is based on the classic novel of the same name by writer Ivan Franko, one of the most famous figures of Ukrainian literature. It is set during the 1200s and the invasion of the medieval Ukrainian-Russian state of Rus' by Chengis Khan's Golden Horde. Due to its having been produced during the Soviet era, the story's aspect of class-conflict between the "heroic" peasantry and the "decadent" noble particularly emphasized here.

Criminal bosses who live by the law of the jungle divide their spheres of influence. Where millions are at stake, human life is worth nothing.

Taking advantage of his intellectual superiority, the teenager Valya Uspensky subtly and mercilessly takes revenge on others for small and big offenses. The young mathematics teacher Igor Aleksandrovich also falls into the field of his interests, whose intelligence and tact will properly influence the guy. But the young intellectual will suffer a crushing defeat in the seemingly ordinary everyday situation, which will be set up for him by his sweet, pretty classmate Ira - if only in order to once and for all teach the narcissistic jester a lesson.

The action begins at a meeting in a Voronezh hospital. Doctor Tatiana Bobrova is nervous - she needs to go home, but the head doctor won't let her go until all the issues are resolved. Finally, she manages to escape. Her husband, police captain Sergei Bobrov, who holds one of the key positions in the Internal Affairs Department, is waiting for her at home. He meets her with a stream of accusations, quickly drives himself into a frenzy and beats Tatiana, neatly bypassing her face and visible parts of her body. Tatiana got married three months ago, and two weeks ago had already suffered one beating. That time he apologized, swore that it would never happen again... Even then she had already considered running away, but did not have time to prepare properly. And now Tatiana decides to escape immediately.

Kharkiv, the 1930s. The heyday of Ukrainian art. Ambitious young poet Vladimir Akimov happily settles in at the new luxury "Slovo" House built specifically for artists. He comes from the provinces and works as a proof-reader in a printing press, and has never even dreamed of living under one roof with prominent Ukrainian writers and artists. He thinks his own poetry is genius, but nobody takes his literary efforts seriously, not to mention the occasional chuckles over his epigone poems. But fate smiles at him. The head of the political intelligence agency suggests that he become the author of a play written earlier. Akimov agrees, signing a non- disclosure note. The poet has no idea what price he will pay for this success. “‘Slovo’ House” is a story about a generation of Ukrainian artists persecuted by the totalitarian system, unfolding against the backdrop of one of the largest genocides of the 20th century: the Holodomor, which caused the death of almost 7 million people.

Based on the famous novel by Ilya Il'f and Yevgeniy Petrov this two-part-TV-movie tells the story of the of Ostap Bender and Kisa Vorobyaninov who are searching for hidden jewelry, hidden in one of twelve chairs by Vorobyaninov's aristocratic mother-in-law, to hide it during the revolution. But their priest, Father Fyodor found out about it and starts searching for the same chairs. During the movie the story is commented by the authors themselves who are writing it during the process.

This is a story about the Ukrainian Cinderella. Since childhood, Vera Serduk dreams of becoming a famous artist. To fulfill her dream, the girl goes after graduating from school to the capital city, where her adventures begin...

Based on the work of Mykola Khvylovy "The Tale of the Sanatorium Zone". About political repressions in 1920s in Ukraine, the disappointment of revolutionary intellectuals in Communist ideals.

An American journalist is traveling to Russia to find the newly invented "Love vaccine".

Asya and Gennady’s happy family is shattered overnight when their five-year-old son, Antoshka, dies in a devastating fire. The tragedy robs Asya of any sense of purpose. A deep depression leads to divorce and a self-destructive spiral. Asya wants to take her own life. But a year after her son’s death, hope suddenly appears. She meets a firefighter, Nikolai, who tells her that no remains of her son were found in the ashes. Asya clings desperately to this fragile hope—she wants to believe Antoshka is alive. But if so, where is her boy? No one but Asya believes it. Only Nikolai reaches out to help the despairing woman.