J.D. Ryznar

The series focuses on an eccentric motley crew that is the Smith family and their three housemates: Father, husband, and breadwinner Stan Smith; his better half housewife, Francine Smith; their college-aged daughter, Hayley Smith; and their high-school-aged son, Steve Smith. Outside of the Smith family, there are three additional main characters, including Hayley's boyfriend turned husband, Jeff Fischer; the family's man-in-a-goldfish-body pet, Klaus; and most notably the family's zany alien, Roger, who is "full of masquerades, brazenness, and shocking antics."

Historical reenactments from A-list talent as told by inebriated storytellers. A unique take on the familiar and less familiar people and events from America's great past as great moments in history are retold with unforgettable results.

Jack Black, Channel 101, and VH1 want to introduce you to their new interactive sketch comedy show: Acceptable.tv. Each week you'll see five mini TV shows made by the Acceptable.tv team.

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

Follow the outrageous, high-octane adventures of Buddy Thunderstruck, a truck-racing dog who brings guts and good times to the town of Greasepit.

Follow the life of Ollie, a nine-year-old girl, and her talking cat, Scoops, as they tackle daily problems in humorous ways.

The existence of Channel 101 led to a show on VH-1 called Acceptable.TV. Director/Actor Drew Hancock wrote a mini-show for Acceptable.TV about the dangers of swords, but VH-1 hated it so it was never produced. Now, in the post-ATV era, Hancock has brought the show to the Channel 101 audience to great success. Sit back and enjoy as Trip Fisk warns you of the dangers of owning swords, and always remember: Don't Fucking Touch Swords.

A marijuana induced experiment that generated more data than ever expected, MESI was a show that taught us all a lot of lessons, none of which may ever be agreed upon. Rejected by the prime time panel, it was the only show to ever enter the screening via the short-lived "wildcard" system, then went on to garner more votes by acquiring the beloved Sarah Silverman and heroically committing to its anti-production value. After entertaining many, irritating many and confusing many more, MESI was put to an appropriate death in the bloody Halloween screening of 2005.

The Musical broke a longstanding set of unwritten commandments at Channel 101: thou shalt not reference other shows, thou shalt not reference Channel 101 itself, thou shalt especially not admit, on camera, that Channel 101 makes you happy, let alone sing about it. Nevertheless, what it lacked in humility and aloofness, it made up for in devotion, boldness, friendliness, heart and some seriously catchy tunes. Add to that the fact that they bothered to conclude their own story with a tearjerking finale, and you have a masterpiece of meta-tainment and a permanent addition to Channel 101's gilded hall of fame.

An FBI agent, his partner, his niece and her cowardly dog investigate supernatural phenomena.

Christmas World 2050, where it is Christmas all year long. Justin Roiland and Drew Hancock join forces to imagine a world where a Christmas Item Retrieval Team travels between worlds to steal Christmas things. Crowned "Best Failed Pilot" at the 2006 Channy Awards.

Offers a reappraisal of "yacht rock", a critically neglected era of music popularized by a boom in FM radio stations and its smooth sound. The gleaming yacht sound was, in part, always defined by a group of LA-based session players and composers who worked across a range of yacht bands, informing their specific tone and level of musicianship. Some of these artists talk about the yacht phenomenon and being part of the scene back in the day. The series explores how the music adapted from the the bearded sensitivity of the '70s to the bombast of the MTV '80s, and how a satirical online drama contributed to a revival of interest and enthusiasm for these sounds in the digital era.

This documentary chronicles the rise, fall, and rise again of the soft rock epitomized by artists such as Christopher Cross, Michael McDonald, Kenny Loggins, Steely Dan, and Toto in the late 1970s and early 1980s. Retroactively dubbed "Yacht Rock," the easy-listening genre came to be gently mocked and even dismissed by rock lovers and critics. However, it has since reclaimed its place in music history and is celebrated in this groove-infused film.

After an open mic night, JB and KG get a message from Michael Keaton who tells them that the time-space continuum has been disrupted at the Ford's Theater in 1850 and only Tenacious D can fix it.