Kübra Kip

Set against the backdrop of construction activity promising to fill in the empty spaces of the urban landscape with entirely new neighborhoods, a story unfolds of an aging construction worker who, unlike his peers, has to drop all plans for the future after being diagnosed with a malignant tumor. This self-assured debut contemplates the dignity of the individual within the context of modern Turkish society.

Hakan and Nihal have been married for many years. Shortly after they find out that Nihal is unable to have children, she disappears. While searching for her, Hakan makes some painful discoveries. He must face his inner demons to discover what happened to his wife.

Anoush, a little girl, goes to borrow a wedding dress from a distant relative for her brother's wedding. Leyla, a teacher, comes home as a second intruder. Leyla has just been appointed to the village school. She learns that the village school had been abandoned many years ago and that there is no children in the school age. On the other hand, Anoush could not learn to write although he could read because her teacher resigned and left the village. Transportation between villages takes place once a day. Anoush and Leyla are forced to spend the night in the same house. Will the two passengers get what they want despite the long road?

A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.

Asli, a young mother who is trying to find a nanny to get back to work, finally meets young Gulnihal. Gulnihal is also a mother. With Gulnihal coming into her life, Asli faces her secrets which she has been avoiding herself.

Returning home to help his mother with the orange harvest, Mahir meets an unexpected guest: Halef, who believes he is the reincarnation of Mahir’s long-dead older brother.

Nine-year-old Samet is about to celebrate his circumcision as a rite of passage into manhood. But when the ceremonial wand goes missing, an ordinary scramble becomes a household crisis. While the men of the house race against time to protect their authority, Samet's mother Nesrin leads the women in a search for the missing wand and tries to hold the unraveling house together. As the day goes on, a quiet unspoken solidarity grows among the women.

Centered around a personally troubled, officially discredited police chief and his inharmonious police team in Ankara Police Force. Even though the show usually focuses on murders and other crimes that happens on a weekly basis, the undertone of the story leads to an eventual duel between Behzat Ç. and the rotten department officials and bureaucrats.

Every woman wants the king. But the king gets what he wants… Money, fame, glory and the maximum charisma a man can have! Kenan Baran, a womanizer and impressive man that everyone desires, has a secret relationship in addition to his seemingly perfect marriage. However, his wife Handan has begun to feel uncomfortable with Kenan’s recent increase in business trips. A bracelet she finds in his pocket reinforces her suspicions. With the support of his close friend Özlem, this time she is determined to pursue the truth.

Combining two innovative perspectives – “time within time” and “series within series” – the series tells the story of Leyla, a 28-year-old young and beautiful actress who rapidly climbs the ladder of fame by playing the role assigned to her by the system, but who, under the light of Şule Yüksel Şenler's guidance, discovers her true role and tries to forge her own path.

Istanbul - In this city of 20 million, crime is endless sin too. Some will sin, others will cover them. Ali Kemal, who forgot his own truth to cover the lies of others, will face his own reality when he falls in love.