Jana Šedová

During WWII a youth deserts his country's army after a combat experience, but not before wounding his commanding officer with a knife in order to escape. The young man, now very emotionally distraught, dresses in women's clothes and eventually joins a passing gypsy caravan, who think him a young girl... as well as a kind of seer, or 'rawney'. In time, however, he regains some composure and becomes attracted to one of the gypsy girls, which only leads to problems within the gypsy band, especially when the wounded commanding officer finds him.

Dr. Štěpán, dismissed for his outspokenness, returns to his hometown determined not to bend his ethical principles to the ruthless new capitalism surrounding him. When he meets a young woman who may become the meaning of his life, he must confront the tension between his ideals and the demands of a changing world.

The local farmers' cooperative organized a trip to Italy, in which the Škopkovci took part. They went there at the invitation of the Italian agricultural cooperative, whose employees are going to visit Hoštice in return. In addition to the sights, the goal of the tour was also an excursion to a modern Italian cowshed. After returning home, Hoštice and its inhabitants are waiting for a "great approach to Europe" - they plan to improve the neglected village by building a nudist beach. However, as it usually happens, the Italian delegation appears at the least convenient moment. Strangely enough, they like the cooperative's neglected economy so much that they propose to preserve it as an open-air museum...

In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.

In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.

The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.

Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

Intolerance can already be ominously growing among children. Even the talented Petr, who is not accepted by his new classmates, will be convinced of this - he only encounters rejection and even betrayal of trust. More than exposing children's mentalities, however, the creators are trying to present a model of social morality, which, however, lacks both a more credible motivational background in the actions of the individual characters and the courage to point out the functioning of deformed relationships. However, they unfortunately did not reach the level and communication of Schorm's film Five Girls on the Neck, which dealt with a similar problem.

Antony is obsessed with the idea of a happy family life, but his young daughter has to be cared for by the parents of his wife, who died in a car accident. Unfortunately, Martha, whom Antony has somewhat recklessly married, has a fundamentally different vision of her future than he does.

In the fifites the 10 year old boy Honza lives with his single mother in Prague. The mother is a dedicated communist in the beginning but she changes her mind when a show trial is held. She speaks about her dissatisfaction with the government and is immediately arrested. Honza is given to another family.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

In May 1945, a broken violinist lies drunk by a creek, haunted by memories of his life before and during WWII. Once the celebrated first violin in spa orchestras, he married Jewish nurse Róza and dreamed of fatherhood, only to face brutal anti-Jewish persecution. Relegated to second violin, he spirals into alcoholism and betrayal, while Róza and their daughter are deported. Cast out by colleagues and lovers, he descends into madness, murdering a vagrant with his violin case. In a final psychotic haze, he tends a roadside Christ statue before collapsing, his shattered life a testament to love, loss, and atrocity.

A tragicomic story about the "hug" that all the characters long for, especially sociologist Oskar, an indecisive loser whose daily bizarre encounters with old people in nursing homes lead to feelings of futility, emptiness, and loss of vital energy, which reinforce his refusal to bring a child into this meaningless world. However, his wife's desire for motherhood grows.

Ivan is shooting a documentary for the film school. His subject- girls and women working in the local beauty salon. Among them is his childhood friend Eva, who needs to find a model for the upcoming hairdresser contest.

Petr Soukup, a student from Karlovy Vary, is tasked with getting support for student protests in the spa city. However, Petr’s attention is rather absorbed in his relationships with students Zuzana and Martina as well as by the plight of a friend – single mother Jiřina who is making ends meet through sex work.

The relationship between a teenage daughter and her mother is not an easy time in the life of either of them. But for Jana Burešová and her Simona, it means digging deep into their consciences and searching for sensitive places where the past can be revealed and a path to the future can be found. It is at her forty-fifth birthday party that a devastated Jana learns from the police that her daughter has secretly given birth. The next day, she visits her daughter in the maternity ward, but she refuses to talk to her because she cannot forgive her mother's lack of interest, the fault of which is that she did not even know her daughter was pregnant.

With the holiday season approaching, poor Reuven, the furrier, has no recourse but to sell the family's beloved goat for supplies. But Aaron has other ideas!