Jack Cunningham

When her American lover visits London, a wealthy woman’s jealous husband hatches a plan to murder her and inherit her fortune.

In the Australian Outback, the Carmody family--Paddy, Ida, and their teenage son Sean--are sheep drovers, always on the move. Ida and Sean want to settle down and buy a farm. Paddy wants to keep moving. A sheep-shearing contest, the birth of a child, drinking, gambling, and a racehorse will all have a part in the final decision.

The TARDIS materialises not far from Paris in 1794 — one of the bloodiest years following the French Revolution of 1789. The travellers become involved with an escape chain rescuing prisoners from the guillotine and get caught up in the machinations of an English undercover spy, James Stirling — alias Lemaitre, governor of the Conciergerie prison.

A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.

A boy is accidentally locked in a bank vault. With less than 10 hours of oxygen left in the vault, it becomes a race to save the boy.

A detective tracking a stolen gem begins to suspect there's more to the case than just theft.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

A doctor in 1890 England, in order to cure his wife's "sick mind," injects her with snake venom. She later gives birth to a daughter whom the villagers call "The Devil's Baby" and in a fit of fear they end up burning the family's house down. Years later a Scotland Yard detective is sent to the village to investigate a rash of deaths that are caused by snakebite.

Ken Loach production for The Wednesday Play, reflecting contemporary debates surrounding the abolishment of capital punishment.

A British theater actress unable to get out of her contract is assisted by an American playwright when a pair of her scissors is discovered lodged in her producer's back.

Sir Charles Hare, a young Irish baronet, gambles his all on one of his horses at Ascot. But the horse is 'pulled', and Sir Charles is forced to sell his Irish estate. His aunt, however, has some surprises in store for him.

Loot goes missing in robbery double-cross. Gang members, an ex-lover and a handsome stranger are left to sort it out.

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.