Alex Ansky

Joshua, an 80-year old Holocaust survivor, discovers one morning, that a cellular antenna was installed on the roof of his house. It turned out that his neighbor has rented his part of the rooftop to a cellular company. Joshua feels a terrible injustice was done. He starts believing that all his diseases and pains are caused by the antenna's radiation. Joshua obsessively starts feeling the radiation everywhere and develops a persecution disorder which risks his life. He goes to war against his neighbor. His wife Sarah, and his 3 adult sons are dragged unwillingly into this vortex. The crisis reveals the personal problems of each of his sons, and they are forced to deal with their father's dark shadow.

What is going on behind the closed doors of the women-only secret club? The first rule is that love is prohibited. When Sophie falls in love with a mysterious man, she must choose between her last chance for true love to her loyalty to the club.

The title is a reference to the Book of Isaiah 42:6, “I, the LORD, have called thee in righteousness, and will hold thine hand, and will keep thee free, and give thee for a covenant of the people, for a light of the Gentiles.” The film is an episodic, cinematic biography of David Ben-Gurion, from his days as a youth in Poland when he met Herzl in the town of Plonsk, through his move to Palestine/Israel, becoming leader, the days of the Independence War and the establishing of the State of Israel, signing the reparations agreement with Germany, and all the way to the making of this film – in the aftermath of the Six-Day War. Perlov’s film highlights all the key milestones in the leader’s life which it goes about doing in the tradition of the reflexive documentary, through the creator’s subjective and artistic pov. The film goes back and forth between documentary and scripted scenes, black and white and technicolour, and even archival footage colourised in bold, artificial colours.

A construction worker kidnaps his boss in order to read off the roof of the building his manifest of social justice. A couple of young filmmakers are looking for a flat. A group of Arab workers are eating their lunch. Whose narrative is it?

The love story of Margalit (Pnina Gary), who lives in Nahalal, and Eli Ben-Zvi, son of Rachel Yanait and Yitzhak Ben-Zvi, Israeli's second president. The year is 1947, a tumultuous period as tensions rise between the Israeli settlement and the Arab tribes and neighboring countries. A chance encounter sparks love at first sight between Margalit, of Nahalal – a cooperative workers' settlement – and Eli Ben-Zvi, the Muhtar of the Beit Keshet kibbutz. The affair is off to a rocky start, as Eli is committed to the defense efforts that preceded the Arab-Israeli War of 1948 and the birth of the State of Israel. The two go on to set a wedding date, but the fight for a nation leaves no room for young lovers.

A Tel Aviv municipality has founded an elementary school in its southern region. It will have pupils from all walks of life - including refugee children.

Romantic drama about a young woman discovering herself through the art of acting.

Thirty years of close friendship between Sophie, Tirzah and Lelly come to a painful end. A year later they are forced to meet again for one evening during which their entire relationship is viewed with wit, humor and sadness, love and hate, envy and mutual respect.