Irving São Paulo

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

Childhood friends Cidinha and Leda follow opposite paths, but envy the life the other has chosen. Belo's love and custody of their daughter lead them into a competition.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.

In an action-packed plot set in São Paulo, Ana gives birth to a child in Tonico's car, but abandons the baby to escape the police after becoming involved in a robbery.

Diana, the Angel of Death, assigns an Emissary to retrieve Isabela from Earth. Upon meeting her, however, he becomes enchanted by the young woman and hesitates to take her.

Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.

César, a sugar mill owner in Pernambuco, lives in Rio de Janeiro with his wife Maria Luiza and daughters, Débora and Suzy. One day, tired of his life, he decides to fake his own death and assume another identity. César does this with the help of França, the financial director of the sugar mill – which also belongs to Alaor. César and França stage a car accident, plunging off Avenida Niemeyer in Rio and disappearing into the sea. César leaves Alaor on the verge of bankruptcy and Maria Luiza and the two girls in poverty, completely transforming their lives.

São Paulo, 1945. A tenement in the Bixiga neighborhood centralizes the plots and characters. The cheerful Lalá is a former prostitute who got along with a senator of the Republic, her lover, who, when he died, left her in an excellent financial situation, since she had a daughter with him, Marialina. Lalá is courted by the simple Italian Antônio Sapateiro, a mature man in love with her. The Portuguese Manoel Vitor loves the Jewish Ruth, but her parents forbid dating because of religion.

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

Biography of a Brazilian dancer who lived on an island and practiced nudism when it was forbidden by law.

The tradition of working out Judas in a suburb. The doll is placed on the street like a corpse and a bunch of children are faced with the consequences of this innovation.

Two contrasting social groups get in touch: three architects and three street urchins, all struggling for survival.