Alena Bazalová

Eleven years old Jacob does not know his Father. His picture is portrayed and idealized by his Mother and his own phantasy. Jacob is an uncontrollable and slightly asocial guy, who is lacking a male role model. He grows up among females- Mother, stepsister Pauline and Grandmother. Grandmother arrives to their small panel block building apartment at beginning of the Story. Jacob's resentment (a runaway escape through foggy neighborhood of concrete block buildings) is his way to finding out what' going on. It is his first disappointment, but also a first step of growing up. tease him. Mother has her hands full with the household and barely makes it. She does not have time to care about her children 's feelings. Money is tight. Among his schoolmates Jacob is considered poor and that bothers him as well.

A comedy about erotically addicted men is therapy for everyone, especially those who think they don't need therapy. At a session for erotically addicted men, Eda, the owner of a bicycle repair shop, meets Cyril, a history and physical education teacher; GIGI, an aging rocker; Přemek, a retired screenwriter; and Martin, a young IT specialist. The therapy is led by Linda, a recent graduate and single woman, for whom meeting this group of diverse male characters becomes a fateful step not only in her professional career.

Rudo is a 25-year-old stripper who has chosen to embrace a life of perpetual partying and sleep deprivation. As he navigates through the chaotic nightlife fueled by drugs and dance, memories of his ex-girlfriend Misha haunt him, reminding him of broken promises and lost connections.

What to do with life on an island threatened with rescue? Johanka is the owner of a café called Laputa, which—like the flying island of the same name from Gulliver's Travels—is her island. Will it be enough to make her feel complete and happy? Johanka explores what to do in the boundless space of adult life, at the beginning of which she finds herself. Her family is not very helpful, and the café guests each come with their own needs and selfishness—their characters are meant to be a reflection of their generation.

The central character of the romantic comedy Casting for Love is Stela Nebeská, an unsuccessful actress who, approaching forty, realizes that she is unlikely to make it big. She loses her job at the theater, where she only played minor roles anyway. Her career failure is followed by personal failure - her husband starts cheating on her and doesn't even try to hide it. But Stela is not willing to accept defeat and is determined not to give up without a fight. She vows that, come what may, she will find someone who will make her husband green with envy. So she launches a grand audition for a new love. She starts dating, but every date is with an eccentric and unsuitable suitor, and every date ends in disaster. Will Stela finally find the right one? Or have all the decent men died out?

Divorce doesn't have to spell disaster. Even with alternating care, it can be fun. Especially when such quirky characters as ours are involved. Sure, even in One Family, things get rough sometimes, but love always wins in the end. Because more parents mean more love.

Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.