John Paul Young

Cupids arrow has hit the coastal town of Seafront Sands. A lonely soul will discover a secret about the love we all share for the first time.

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

A corporate executive is taken prisoner by an underground organization known as The Movement, and is turned over to a ruthless interrogator.

Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.

Canadian horror film featuring music from Canadian punk bands The Curse, Cardboard Brains, Space Phlegm, The Ugly, Willie English, The Spenglers and The Secrets.

Years ago, the Taelons came to Earth, offering friendship and technology to humanity. But there are those who believe the Taelons have more sinister motives.