Ali Bagheri

Samad is nobody’s fool. The narcotics officer has seen his share of a drug dealer’s lies and games, and his patience has come to run thin. While searching for the infamous drug baron Nasser Khakzad, he and his colleague Hamid scour the streets of Tehran, turning an overcrowded prison on its head. With his rough and dubious approach, Samad finally manages to find the criminal’s whereabouts – but things do not quite go according to plan...

It is few days left to Amir's 40th birthday but an incident enters him into a big crisis which makes him to begin searching for a solution.

Amir, a young Iranian, signs on with a fisherman on the rugged Caspian Sea coast in order to earn the money he needs to marry his sweetheart, Narges. But in so doing, he becomes entangled in the criminal machinations of caviar poaching. Piece by piece, a complex hierarchy is revealed in a parallel realm that becomes ever more constricting and oppressive, endangering Amir’s relationship with Narges as well.

After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.

At a border cafe, a female Iranian cook and an illegal female Afghan immigrant become impossibly intertwined.

Iranian married couple who live separately and no one is aware of it, the wife is a lesbian and lives with her partner secretly. They can't announce this, Because the Iranian government is against homosexuals. They live in secret for a while so that they can emigrate from Iran.

Yahya, a man with a mysterious past, sets off into the desert and wilderness with a car that serves as his home, continuing his life by cutting and selling the hair of impoverished women and girls. Until he meets a clever 15-year-old girl whose stepfather intended to sell her, but she escapes by secretly getting into Yahya's car. This encounter leads Yahya to start a new phase of trying to forget and deny his past, as everything is set to change with the presence of this girl.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

Bemani has spent ten years in jail for killing her husband. Her child was taken away in prison and allegedly given to her husband’s family. Temporarily released, she immediately starts looking for her son. Bemani goes to the car demolition workshop where Ebi, her brother-in-law, works, but he claims not to know anything about the boy’s fate. She finds out, however, that it was Ebi who sold the child to a rich family. Bemani tries to extract more information from the workers of the demolition shop, but they demand an indecent favour in return for the information. As a desperate mother, she is prepared to go to the extremes, but not in the way the men are hoping for.

A remote brick manufacture factory produces bricks in an ancient way. Many families with different ethnicities work in the factory and the boss seems to hold the key to solving their problems. Forty-year-old Lotfollah, who has been born on-site, is the factory supervisor and acts as go-between for the workers and the boss. Boss has Lotfollah gather all the workers in front of his office. He wants to talk to them about the shutdown of the factory. All matters now to Lotfollah is to keep Sarvar unharmed, the woman he has been in love with for a long time.

Arbab Jamshid St. is a congregation place for the extras of Persian Film where they wait for a famous person called Ciccio to take them to the movie location. There is a newcomer in this group; a young man called Davoud who has moved to Tehran from a small town with the hope of becoming an actor.

Farhad's younger brother gets killed right in front of his eyes. Now Farhad along with his brother, the 'dead man', steps to the woods of spirits for revenge. This journey though, is to the past and the future.

Parviz Dehdari was the former coach of the Iranian national football team and the first head coach of the Persepolis team. This Movie is a product of Owj Media Art Organization and it's about Parviz Dehdari, one of the most different great coaches of Iran's national football team.

The revolutionary and business-based (Pejman Jamshidi) and Wali (Bijan Banafshekhah), the antique of the pre -revolutionary revolution, is a sluggishness, but the door of the game full of money of an Imamzadeh changes their way of life.

On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?

Baha, a young man from a border town, learns that his father, Bahram, has been released from prison after twenty years. Bahram killed his wife -- Baha's mother -- having accused her of cheating on him. Baha, who has never coped with this and is still full of anger and resentment decides to take to the road to bring his father back from prison himself.

A transsexual named Amen is optimistically planning to do gender reassignment surgery but ends up being sent to prison. Being a transsexual was hard enough in Iran for Amen, let alone the misfortune of being replaced as a murderer.

The story of this movie is taken from a high-profile criminal case in the 80s in Iran. In this film, which has a criminal and inflammatory atmosphere, a 15-year-old teenager committed a murder and is now awaiting the court's verdict.

Saeed is a forty-year-old mason, severe and fanatical in his religious beliefs. One day his wife is accosted by a driver who assumes she is a prostitute. Seething with rage, Saeed seeks revenge. In so doing he gets into various bruising encounters, and each time comes out the worse. He then goes on to see women, and especially prostitutes, as the root of all evil and decides to rid society of sin by eliminating whores. The prostitutes he eliminates are, however, merely destitute women forced to sell their bodies in order to feed their children.

A teenage girl from Iran has fallen in love with a popular Korean K-pop singer. She wants to go to Seoul to see him perform, as well as take part in a competition. Although she has been accepted into the competition, her mother is seriously against her going.

In a bustling Iranian factory, the rhythms of daily labor intertwine with the quiet struggles of its workers. Among them is Tadji, a woman navigating the weight of personal and professional challenges alongside her husband, Morteza. When a sudden disruption unsettles the workplace, tensions rise and hidden truths begin to surface. Tadji explores themes of trust, resilience, and the fragile balance between duty and desire, offering a poignant reflection on the choices that shape human relationships.

The Saburi family is a large and old family that has been exporting and importing flowers and plants for many years. They still live in peace in an old house, the arrival of a young man in this family changes the lives of the whole family.