Joanna Larequi

Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.

An anodyne environment and a perennial lack of affection, push Lucia and Braulio to turn in the fiction world; to materialize their dreams. Neither inclement reality can stop them.

Miriam, a 13-year-old teenager, will do whatever it takes to attend a party, even if that means risking her little brother's life.

Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.

Sofia is 40, childless, with a neglectful marriage, and spiraling into chaos as her life unravels. With striking imagery and a raw central performance, the film is a haunting character study trapped in a social nightmare.

Elena wants to record her song in a good studio. Desperate, she reconnects with an old privileged friend to ask for the money.

Rookie CIA field operative Isabel Alfaro works alongside infamous CIA legend Wayne Addison to bring down Rafael Bautista, Mexico's most vicious and brilliant narco. Her mission brings her into conflict with Eduardo Yzaguirre, her former boyfriend and the current Mayor of Mexico City, the cleanest and most inspirational politician in the country.