Barbora Leichnerová

The sick King Jorgen worries about the marriage of his daughter Elena. The fairytale-like, dramatic confusion triggers a shimmering golden fire bird with its wondrous song every full moon night - it makes the king heal and brings the "good" prince as husband of the "good" Princess Elena.

A woman discovers a conspiracy while searching for her missing travel companion.

Two happily married couple, Michal and Blanka, experience a regrettable misunderstanding: the wife leaves home with their young son, but unfortunately her husband does not find the explanatory letter. Normally, he would wait for the matter to resolve itself, as he does not believe that his wife would just leave him, but he is under a lot of pressure: from his own parents, his neighbor, his mother-in-law, and his "good friends." They all advise him that the only solution is an immediate divorce. After a week, everything is explained, Michal finds Blanka's note and realizes how little he trusted Blanka and how easily he believed others...

This comedy starring Miroslav Donutil tells the story of an American of Czech origin who returns to his homeland in the 1990s. At his parents' request, he is supposed to take over the family hotel in Prague and find a Czech bride. However, he has no idea what he will have to endure in the atmosphere of the 1990s, what condition he will find the property in, or what tragicomic situations he will have to go through before someone deprives him of his property. But in the end, he finds a girl who, unbeknownst to her, comes from the same background as him.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Life in communist Czechoslovakia in the early 1950s and the punishments for going against the state.

Czechoslovakia 1918. The newly formed National Assembly has made Stoklasa the administrator of the Kratochvile Castle. Although with no aristocratic background, he is a man of fortune and is trying to buy the castle. To impress his neighbors and the local politicians he invites them to a great hunting party. Uninvited comes a man who claims to be Duke Alexej. Stoklasa believes him to be a hustler. This hustler, however, manages to charm all the women before he leaves.

Honza is looking forward to taking a vacation, but the disappearance of three spoiled princesses spoils his plans. He is helped in his rescue not only by the kind fairy-tale grandmother, who is responsible for their "curse", but also by three scoundrels who deceive him, leave him in a cave and pretend to be the princesses' saviors. Of course, everything turns out well in the end, the truth comes out... but instead of marrying one of the princesses, Honza devises a "re-education" for them...

Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.

The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.

Further east of the Dark Blue Sky, where the Heavenly Horsemen fought, the story of a Czechoslovakian fighter squadron takes place, to which Second Lieutenant Jandak arrives as a rookie. He then experiences both his first love and a battle high above the clouds in the collective of combat pilots. Combat pilots on the Eastern Front thus experience similar stories to their Western colleagues, with the same goals and plans and the same slim prospects of survival in their daily life-and-death battles. Not surprisingly, they fought at a time when they had a common enemy, characterised by the Messerschmitt aircraft.

Helenka, a textile industrial student, invents an ideal man who is the envy of all her friends. The dreamy and delusional Helenka resists her complexes with an imaginary lover, her more realistic friend Zuzka would also prefer the dreamy Patrik, but in the end she will probably be happy with the less ideal Honza, and the self-confident vulgar nymphomaniac Sylva flies from one lover to another like a butterfly, finally as she was the only one waiting for her dream Patrick.

In May 1945, a broken violinist lies drunk by a creek, haunted by memories of his life before and during WWII. Once the celebrated first violin in spa orchestras, he married Jewish nurse Róza and dreamed of fatherhood, only to face brutal anti-Jewish persecution. Relegated to second violin, he spirals into alcoholism and betrayal, while Róza and their daughter are deported. Cast out by colleagues and lovers, he descends into madness, murdering a vagrant with his violin case. In a final psychotic haze, he tends a roadside Christ statue before collapsing, his shattered life a testament to love, loss, and atrocity.

The dramatic fate of a girl forced to live someone else's life...