Jiří Samek

Twenty-one years (1968 - 1989) in the life of violinist Jan, whose life and social situation forced him to make compromises and personal concessions.

A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.

The heroes of the small-town story are former friends Standa Stuchlík and Robert Sura, who become arch enemies, and not only because of their classmate Zuzana, whom they both like. While Robert, the dude, has rich parents who spoil him and buy him everything he asks for, Standa has to earn a hard living playing in a rock band, working part-time in the boiler room and constantly defending his hobby against his parents' disdain. His only support is his uncle Edda, also a musician.

A frightening atmosphere, full of chilling dampness and darkness, follows the fate of a desperate searcher who tries in vain to unravel the supposed secret of the altarpiece...

Matěj Hůrka, a teenage bricklayer's apprentice, a young man who is delicate in matters of love, lives with his grandmother in a country cottage. He struggles with love problems, but waits in vain for some advice as his vivacious grandmother remarries an equally vivacious pensioner. The enterprising eldest generation thus contrasts to some extent with the youth, which is embarrassed.

The theatre director encounters the disinterest and irresponsibility of the acting troupe, whose members are scheming and looking for side income. The tired and sick artist wants to finish his work at any cost.

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

Inspired by the activities of counter-intelligence officers, Jan Prokop plays chess at every opportunity. In addition, he works with his team to uncover a resident network that attempts to recruit domestic experts to work abroad.

The main characters of the film, inspired by director Soukup's own experiences at the Škodovka factory in Pilsen, are two inseparable friends who, after graduating from the industrial school, join a large engineering plant. Here they spend their first year of post-graduate life, where their vague ideas and ideals clash with their completely different life experience. In addition to their conflicting work experiences, Ondřej and Cyril have to deal with their own personal problems. They have big plans for the future, but their dreams are unexpectedly interrupted by a tragic event.

Chronicle of frontier division Czech police (SNB) in the years 1946 - 1949.

The year is 1936, the nervous atmosphere of the Nazi threat penetrates into the sport. Upgrade boxe Vilda Jakub will compete with German Kurt Schaller. The Nazis decisions are used in order to win his master even the dirtiest means. Vilda inspect their game and focus on the preparation of environmental events. The story culminates in the victory of one of the two lovers, between which Vilda tense moments in the decision.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

The common theme of the short story film is the famous duels between two important historical figures: Pushkin and Casanova. Pushkin's tragic duel, which ended his life prematurely, is portrayed in connection with the creation of his short story "The Dirty Shot", while Casanova's story is conceived in a rather ironic and humorous way. The point is that the famous seducer never actually seduced, on the contrary, all his life he was in a constant battle with female seductions.

As the Khmer Rouge carves a path of death throughout the land, a Czech doctor falls in love with a Cambodian woman. Their relationship, though sorely strained by the war's horrors, produces a child. The doctor is separated from his family once Pol Pot assumes control.

Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

Father Holy, a village priest, battles against the state and religious bureaucracies of 1980s Czechoslovakia in his fight to raise money for a new church roof. Permeated by his love for the villagers, his encounters are marked by his good humor. In his losing battle against Church and State, Holy is ordered to be transferred away from his parish and his allies. The Czech-American, Milena Jelinek, adapted this moving story from the the novel The Forgotten Light, by the 1930s Czech writer/poet and Catholic priest Jakub Deml. (1934)

The hero of the story is a forty-something intellectual, a sensitive composer of classical music. His exclusive profession, his work, which is actually incomprehensible to those around him, and his deep inner passion set him apart from the conformist milieu. Therefore, he tries to search for the "lark's silence" - a new strength, purity, truth, essence and roots of Czechism. However, on his return from the oppressive, alienated big city to his native village, to his former home, to nature, a deep disillusionment awaits him: he discovers that the once idyllic village has lost not only its face, but also any manifestation of spiritual life in its foolish attempt to resemble the city.

It is 1883 and Josef Hibes, a social democrat, is organising a strike of textile workers. The main demand is a reduction in working hours...

Caesar is the name of the dog with which a little boy, only seven years old, sets out on a great quest to find his mother. She once gave him the dog before she emigrated. The boy does not agree with his father's intentions to remarry, even though the new mother is supposed to be a sympathetic governess from a children's sanatorium. The film was made at the very end of the former regime, but it was not released until the changed political situation.

Arabela was a children's television series produced in Czechoslovakia which aired from 1979 to 1981. The series has 13 episodes and is in the Czech language.

Plechová kavalérie is a Czechoslovak/Czech TV series about combine operators filmed by Jaroslav Dudek.