Petra Frey

A stubbornly traditional eighty-year-old farmer - whose social attitudes verge on the prehistoric - raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law.

Grump's life follows the same familiar routines: spring is here and the early potato harvest is ripening. But Grump crashes his beloved Ford Escort and the car has to be scrapped. A new, modern vehicle is no match for quality and the nearest Escort, a 1972 model, can be found in Germany. When the Grumps's sons refuse to help, he must travel to Germany alone.

While on a shopping trip, Grump smells Saimi, a woman who smells just right and throws the whole man in a state of confusion. The Grump would not have believed that his chest could still feel like a young boy's. The Grump has to admit that he enjoys Saimi’s company. The words, looks, and touch of another awaken long-forgotten feelings. The Grump’s sons are incredulous and downright jealous of their father, and they don’t want to trust Saimi’s sincerity… could she be after the inheritance? Family meetings, misunderstandings, moonlight swims, and sleepless nights. Indeed, Cupid's arrow can pierce even an old man's flannel shirt.

The Grump prepares to die – everything is done and his wife is dead. He’s making his own coffin when the life walks in, all of a sudden. The granddaughter needs the stubbornness and wisdom of her grandpa. In return, The Grump gets a meaning for his life – and a big secret.

A story of one unlucky man's descent into disaster, a dramatic, human-destiny thriller with contemporary social undertones.

Tells the story of young Anja, a teenage girl living in an approved school (otherwise known as a reform school), and the problems she faces in the outside world after running away.

The King Without a Heart is a fairytale about of a happy king who has a young daughter and a lovely wife. After the sudden death of his wife, the king becomes so sad that he wants his heart taken out of his chest. The kingdom is turned into an effective society based on reason, and there is no longer place for emotions. When she grows up, the princess tries to make her father see the importance of play and emotions.

Two middle-aged friends make a wager: no drinking, smoking, overeating, gambling, cursing, armchair sports or women for a month.

Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.

Set in 1860's Transylvania, a group of travelers ends to the Dracula's castle.

Rauno Rämekorpi is celebrating his 60th birthday. He has been awarded the title of Industrial Counsellor, and the company's management has commissioned a biography of him. After the celebrations, the industrial counsellor orders a taxi to take the flowers brought by the guests to the landfill. However, taxi driver Seppo Sorjonen convinces Rämekorpi to change his mind – the flowers are taken to a few female friends instead.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.

A story about the rise of awareness among the youth against the pollution and eco-system disaster. The conflict between the youth and ruling establishment is also taken under the inspection. The daughter of the prime minister and her relation to the son of another minister of opposing party is especially under surveillance.

Drug Crime Detective Oskari is the envy of his colleagues. His connections to underworld and informants is unrivaled. What they don't know is the mother of his child, Krista, is a drug addict who lives in that world. And now she's back in his life, shaking his home life on one hand, and offering new connections to knocking down the rise of drug imports. If only he could trust her.