Rodrigo Santiago

Albert, the Rockefeller is a Brazilian telenovela produced by TV Tupi and aired from November 4, 1968 to November 30, 1969. It was created by Cassiano Gabus Mendes, written by Bráulio Pedroso and directed by Lima Duarte and Walter Avancini.

The story is set in the quiet, fictional town of Ouro Velho. Sofia Schnaider is a striking woman of great class and intelligence, possessing strong ethical values ​​inherited from her Jewish family, who emigrated to Brazil after the war. Following the death of her husband—the aristocrat Victor Sousa Carvalho—Sofia takes over the family business, Estrela Dourada, which operates water-based tourism activities on the large local reservoir. However, her mother-in-law, Úrsula, refuses to accept this arrangement and launches a fierce battle for control of the Sousa Carvalho business empire.

Cláudia returns to her rural hometown in order to take revenge for the murder of her family a long time ago. She believes that the Flores family committed the crime and tries to destroy them....

The cunning Senator Petrônio Paranhos gives an interview to the beautiful journalist Magali Santanna, who is interested only in his affair with Arlete—an ambitious young woman intent on conceiving the older man's child via in vitro fertilization. To land this scoop, Magali agreed to interview the politician in a motel room, a condition he had insisted upon. However, Paranhos suffers a sudden collapse and dies during the interview. Detective Aristênio Catanduva, who had been keeping the senator under surveillance, investigates the case. Known by the codename "Araponga," he is a bumbling figure working for the Federal Police following his long service to the military regime.

After a fall, intelligent young Plácido becomes a little slow. As an adult he works at a bank and his keen intelligence returns when he drinks the soft drink "Super Plá". Other side stories include the love relationship between Baby Stompanato and Joana Martini, and the life of Majô Prado, a neurotic millionairess and prominent personality living in São Paulo.

The miniseries addresses the struggle of Pedro Arcanjo, guided by Magé Bassã, his holy mother, to protect African culture and integrate it into Brazilian society, creating a new culture. The plot takes place in the Bahian setting filled with the stories of the characters who intersect in Arcanjo's struggle: the friendship with Mestre Lídio, shaken when Rosa de Oxalá, his wife, falls in love with Archanjo; loves prohibited by the incompatibility of saints; the fight against the intolerance and racial prejudice of those in power.

After her divorce, Malu faces challenges in supporting her daughter and reinventing herself, grappling with loneliness, work, and the search for a new place in the world.

When accused of disobeying Church norms and having his priestly rights suspended, Father Cícero intensifies his political activity in fulfilling his pastoral mission.

Nine different women, their achievements, frustrations and conflicts, all played by Regina Duarte. At the beginning of each episode, the actress introduces the character she will play.

The police mobilize their resources to capture Nenê Bandalho and, while he tries to escape, he remembers some of his life's most important episodes.

After arguing with his ex-girlfriend, truck driver Jorge hits the road again, while remembering the past and questioning his friendship with his manipulative boss.

At the height of the military dictatorship, an abandoned mansion in the center of São Paulo is occupied by militants, hippies, maniacs, homosexuals, punks, artists and poets, as well as immigrants from different parts of the world.

After a man dies under mysterious circumstances, his girlfriend and his gay lover deal with his death in different ways.

A woman asks her boyfriend for his mother's heart as a proof of love. Another, a kleptomaniac, has an affair with a TV professional. And a young man becomes a sex symbol after an advertising campaign.

Short film about the life and work of the poet Murilo Mendes.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

A series of murders begins to haunt Cordilheira, a small town near São Paulo, Brazil. The investigations show there is a love triangle involved.

Theater director asks his actors for a research on human cruelty and misery in Brazil, while trying to raise funds for his next production, a play based on a story by Machado de Assis, "A Causa Secreta" (The Secret Cause). The troupe oblige and go around town witnessing long lines in National Health Services, inhuman conditions in public hospitals and poor people being constantly humiliated. They find people are becoming indifferent to human suffering.