Joel Gillman

A drama set in the East End of London in 1889, during the aftermath of the "Ripper" murders. The action centres around the notorious H Division – the police precinct from hell – which is charged with keeping order in the chaotic streets of Whitechapel. Ripper Street explores the lives of characters trying to recover from the Ripper's legacy, from crimes that have not only irretrievably altered their lives, but the very fabric of their city. At the drama's heart our detectives try to bring a little light into the dark world they inhabit.

Deciding to turn over a new leaf, a group of friends who also happen to be vampires and werewolves move into a house together, only to find that it is haunted by ghosts of people who have been killed under mysterious circumstances. As they deal with the challenges of being supernatural creatures, their desire to be human bonds them.

The true tale of pioneering 18th century barrister William Garrow, who acted as counsel for the accused, introducing the concept of 'innocent until proved guilty' at London's Old Bailey.

Nelson "Nelly" Rowe's life is turned upside down when he is arrested on suspicion of kidnapping his thirteen-year-old daughter Jody, whom he hasn't seen in ten years. After convincing the police of his innocence, and frustrated with the way the case is progressing, he decides to take matters into his own hands and track down Jody himself.

Somerset 1894. When a pioneering Victorian psychologist brings his vivacious young wife to live on his family's estate, he is confronted by one disturbing case after another. Are these strange events linked merely by coincidence, or is there something more sinister - more supernatural - going on at Shepzoy?

In the near future, on a decimated Earth, Paul and his twin sons face terror at night when ferocious creatures awaken. When Paul is nearly killed, the boys come up with a plan for survival, using everything their father taught them to keep him alive.

DI Walter Gambon is a self-styled “Yoda of the force”, whose workload suddenly increases when he’s handed the cases of an officer who committed suicide by throwing himself under a Tube train. Or was he pushed? Gambon must work out whether his former colleague was murdered, while tracking down another officer who has gone so far undercover that nobody knows where he (or she) is.