Shizue Tatsuta
Actor · 1903 – 1962 · Yamagata Prefecture, Japan
Shizue Tatsuta was a Japanese actress of the silent and early sound eras. Much is unknown about her life before her acting career. As an actress, she symbolized the "moga" (modern girl) archetype of the era. She appeared in nearly seventy films, including works by Yasujiro Ozu, Mikio Naruse, and Heinosuke Gosho. After about ten years of acting experience, she retired from Shochiku in 1936, at the age of thirty-three. After retiring, she opened a bar in Ginza. She married Aikichi Ikeda, a high-class furniture dealer, and they had a child.
Movies17
Movie7.0ComedyThis pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
- Movie
Japanese silent film from 1931.
Movie8.0ComedyBored in his marriage, a dentist flirts with a young woman on a train. However he soon finds himself embroiled in a series of misunderstandings with his wife, the young woman and her husband. Considered to be a lost film.
- Movie7.0
Japanese silent film from 1931.
Movie9.0ComedyLost film. Two reporters find that they are repeatedly beaten to the scoop by a new female journalist, 'young miss'. They decide to team up with her to investigate a secret club for wealthy voyeurs. Considered to be a lost film.
Movie7.0The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
- Movie10.0
Japanese silent film from 1929.
- Movie8.0
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
- MovieDrama
Short feature by Hiroshi Shimizu.
- MovieDrama
Japanese silent film from 1928.
- Movie
Japanese film from 1929.
Movie
MovieDramaJapanese silent film from 1928.
Movie9.0DramaIt is considered to be a lost film.
- MovieDrama
Japanese silent film from 1930. The second chapter of "The Big City: Labor" (1929).
- Movie
The love of an older sister who worked as a geisha but decided to open a bar under the auspices of a millionaire
- MovieComedy
Japanese silent comedy from 1930. The directorial debut of Hiromasa Nomura.