Hedie Tehrani

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.

When his business partner is hurt in a car accident, happily married Mahmoud (Fariborz Arabnia) must travel to Tehran, where he falls for the beautiful Sima (Hedye Tehrani). The two agree to a "temporary marriage," but problems arise when Sima doesn't want the arrangement to end. Sima's reluctance to play her expected role in this common Islamic practice soon turns to obsession in this smash hit from Iran.

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

Babak is more than just an unemployed engineer living with his parents in his 20s. He possesses a supernatural sense of hearing, so strong he can hear through solid walls and over great distances. But Babak is not the only one with bizarre, unexplained powers. A group of extraordinary individuals begin to emerge and find each other. Will they learn to use their powers for anything other than their own selfish means? With experimental sequences and innovative camerawork, director Iraj Karimi takes a whimsical look at a band of youths brought together through their abilities, but bound by their lack of purpose.

Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.

Hasti, a widowed nurse who has a daughter, marries a paranoid wealthy man.

In his last moments Mr. Baheri gives his janitor Mr. Koohsari a small piece of land but his sons are after that piece of land. Soltan who is a thief, pick pocketing the janitor's daughter ...

Donya is a young, attractive single woman who has just returned to Tehran from abroad. She seeks the help of Hadji Reza Enayat, the conservative and stern owner of a real estate agency, to look for a house. We sense that she has an ulterior motive but that motive will not surface until the end of the movie. She puts on the charm and Hadji falls head over heels in love with her and proposes marriage despite being already married to a loving and pious wife. Awkward and funny situations develop as he tries to keep his affair secret from his family.

On the eve of his first show, rock musician Siavash (Ali Ghorbanzadeh) makes a pilgrimage to the grave of his late father, killed during the Iran-Iraq War. But soon thereafter, a friend reveals that Siavash's father is still alive, a POW being held in Tehran. With the help of his girlfriend (Hedyeh Tehrani), Siavash struggles to make sense of the news. Saman Moghadam wrote and directed this portrait of young Iranians in the aftermath of war.

Domestic drama charting the course of a self-effacing Iranian couple as their ordered lives begin to fracture under the strain of work commitments, money troubles and the responsibility of family. Mitra and Nima are struggling to make ends meet, their relationship in desperate need of rekindling. But when Mitra's sister Maryam shows up on their doorstep, on the run from her estranged husband, their lives are tipped over the edge by the ensuing scandal. As Mitra and Nima reflect on their own lives and take sides against one another, events will come to a head as the weight of disloyalty begins to unravel a once perfect relationship.

While racing with her car a young girl Mahtab has an accident with a Taxi driver Arastoo. This lead them both to involve in more troubles and romantic adventures and know each other more.

An old Iranian man disappears while searching for a friend who's been dead ten years, so his agitated daughter enlists her estranged husband to look for him; the husband puts his foot down at first but soon finds himself cruising the streets of Tehran with his best friend, searching for the old rascal and cursing all the way.

Amin is a young journalist who goes to jail because of something that he wrote, his friends want to free him, but they can't so they decided to make money by throwing parties at his sister's house, but everything gets worse.

It is about life of a young couple who want to migrate from their country. But the arrival of Nazli makes problems...

Two old writers who one of them is returned to Iran after 38 years because of his son's suicide, are going on a trip to the grave of that son.

Mahtab is suspicious of her husband Ahmad, a university professor. As she tries to unravel the mystery instigated by Sima, a close friend of the family, by pressuring Farnoosh Kheirkhah, Ahmad's student, her husband tries to prove his innocence. But the sudden death of Farnoosh opens a new path before Ahmad, Mahtab, Sima, and her husband Mansoor.

When Mahi's son dies in a car accident, Behrouz who has returned to Iran to sell his properties, attends the funeral. Their old romance catches up while Behrouz has planned to marry Sara and go back to Canada with her.

A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...

Six young men—Pouya, Reza, Abbas, Hossein, Saeed, and Mojtaba—live together in a Tehran dormitory during the last days of the year. The film observes their daily routines, small struggles, and shared hopes.

The Saburi family is a large and old family that has been exporting and importing flowers and plants for many years. They still live in peace in an old house, the arrival of a young man in this family changes the lives of the whole family.