Mick Alford

Underbelly is an Australian television true crime-drama series, each series is a stand alone story based on real-life events.

A high-stakes Aussie police drama following the lives of Melbourne’s finest girls and boys in blue – members of a prestigious Tactical Response team.

The true story of Charmian Brent (née Powell), the rebellious product of a strict 1950s upbringing, and her whirlwind romance with Ronald Biggs leading to a descent into crime, most infamously 1963's Great Train Robbery.

Melbourne 1996. The Golden Age of Australian swimming is beginning and a scholarship to an exclusive boys school brings 16-year-old Danny Kelly one step closer to his ultimate goal - winning Olympic gold. Initially, Danny struggles to find his place in the prestigious social circles of the private boys school. However under the charge of highly regarded coach Frank Torma and a friendship/rivalry with teammate Martin Taylor, Danny is soon on track to become Australia’s youngest swimming champion, the unstoppable 'Barracuda'.

The advocate for a young Iranian refugee held in detention. Amir Ali claims to be an Iranian student persecuted by the government but the Department of Immigration dispute his identity. When Julia meets Amir, he is severely depressed and close to deportation. Julia throws herself obsessively into Amir's case, causing friction between Julia and her husband, Peter. Julia eventually frees Amir and the young Iranian man moves in with Peter and Julia. As Julia helps Amir adjust to ordinary life, she finds herself increasingly attracted to this handsome, damaged young man. But she also starts to see the subtle cracks in Amir's story. Is he really who he claims he is? Or does he have a darker, more dangerous history?

The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.