Oliver Urbanski

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Shows the interaction between Hamburg police officers and paramedics.

Best buddies Christian Ulmen and Fahri Yardim can't help to embarrass themselves from time to time. The troublemakers they are they love to test the limits of ethics and political correctness.

Perhaps the fun-loving Lotta takes her impulsiveness a bit too far: so far, she’s taken a detour at every turn on the path to adulthood. Now in her mid-20s, she believes she’s finally found her place in life. After passing her exam to become a geriatric nurse, she naturally wants to return to work at “Haus Abendrot.” Once again, there are cheerful, touching, and even sad encounters with the residents of the nursing home, and everyone is happy that Lotta is back. But just now, as she’s making long-term plans for her future for the first time, fate throws a wrench in her plans. Lotta discovers that a fleeting encounter at a party has not gone without “consequences.” So Lotta is suddenly faced with the big question of how much responsibility she can and wants to take on in her life.

Inspired by stories of Polish musicians from the 1930s and 40s. Two young lovers, Robert, a Catholic opera singer, and Rachel, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they're torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.

A pseudo documentary study of an archetypal German who tries to model his world according to his ideas of law and (sexual) order.

Angela Merkel's decision in autumn 2015 to open the borders for refugees split the country - some praised the moral stance, others criticized the surrender of sovereignty. Yet what would appear to be well-planned activity is in reality a policy of muddling along, chance, trial and error. The Driven Ones is a chronicle of the refugee crisis which shows that the political actors are being driven along, crushed between self-imposed constraints and events that have spun out of control.