Antonio Castro

The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

A woman journalist, Zoe, knows better than to go into a story with her mind already made up. But that's exactly what she does when she heads off to Spain to write about its men and their macho take (as she sees it) on relationships. As she tries to prove her thesis, she soon realizes that she doesn't know as much about the male sex as she thought. She also finds herself involved in relationships with the wrong men.

Some unemployed men look work as male stripper in a bar club, unaware the club is a cover for prostitution.

August 1936, the beginning of the Spanish Civil War. 51 members of the Claretian community of Barbastro (Huesca) are martyred, die for their faith. The film recounts the last weeks of his life, since they are held until they are finally shot. During that time, they perform various writings they talk about their situation, of his fellow captives, people who saw them. These writings have been the basic testimony used to narrate this real fact in film version.

Feature film that wraps, through Jorge Lillo's text, three short films by Helvio Soto

The inspiring story of the beginnings of the Sister Servants of Mary, a religious order that was founded in Madrid, Spain in 1851 by Fr. Miguel Martinez and Sister Maria Soledad who guided it in its development and expansion until her death in 1887.

A boy goes to his friend's funeral procession. When he realizes that his grave does not have flowers like the others, and that he does not have money to buy them, he goes out looking for some in the streets of Santiago.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.