Nicholas Karimi

The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness. Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris, sees Rory Kinnear and Anne-Marie Duff return to the National Theatre to play Macbeth and Lady Macbeth.

Talented and cutthroat hairstylists at a competition find one of their own murdered before judging can begin. Winding through neon-lit halls, competitors unspool long-simmering resentments and lies as they search for the killer among them.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

When brilliant and sharp-witted archaeologist Lucy Stewart decides to spend her Christmas break in the Scottish Highlands, she goes on a quest to find the ruins of a shrine to ancient goddess Beira the Queen of Winter.

Geralt of Rivia, a mutated monster-hunter for hire, journeys toward his destiny in a turbulent world where people often prove more wicked than beasts.

A traumatic head injury leaves Sophie with extreme memory loss. In her quest to put the pieces of her life back together—with help from her husband and friends—Sophie begins to question the truth behind her picture-perfect life.