Péter Blaskó

Three stories. Three ages. Three men. Grandfather, father, son. One is an orderly, one is a leading sportsman, and one is a master taxidermist. One desires love, the other success, and the third immortality.

The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.

Inspired by García Lorca's stage poem, this is the story of a young woman who cannot realize her desire for self-realization either in the confines of her Andalusian village or in her relationship with her traditional husband.

Few writers today tackle sweeping, multigenerational family sagas, work that demands vast life experience and insight. József Attila Prize–winner Árpád Thiery has done just that: his two published volumes of the Freytág Siblings’ story (1943 through the late 1960s) have been adapted by Hungarian Television into a five-part series slated for January 1989, and he’s already completed the trilogy’s final installment. Thiery describes it as a historical family novel, tracing postwar Hungary, from the Stalinist 1950s and the 1956 uprising’s aftermath to the upheavals of 1968, while celebrating freedom, truth, hope, boundless faith and innocent responsibility.

In 1930s Hungary, budding aristocrat Lőrinc Parcen Nagy undergoes a moral awakening. He abandons his privileged life to join the socialist underground, facing the harsh realities of class struggle and the approach of WWII.

1985. Hungary has elections for the first time since long where more than one candidate is allowed to run. The engineer Bodnár is the most popular man in the rural town, who has defended the microclimate of the neighbourhood against a harmful project. Before the elections he is also put on the list. Local power launches a fight against him,

Savanyú and his friend work at a plant. After the monotonous shifts they engage in the pleasures of the afternoon and the night, i.e. parties and concerts. Savanyú dates Juli, they are already engaged. The young men live as sub-tenants, the young women in workers' hostels. None of these places are suited for spending time together. They are in need of an apartment. Out of the ruinous apartment which they lay siege on, however, they are sent away by the otherwise friendly policeman. At a concert held in the Park of Youth, Juli gets to know Géza. They flirt, then go to the country with a pop-group. Savanyú and his friends follow them. A minor fight cools the atmosphere.

Two old women who happen to be pickpockets stole money from Simon, the taxi driver. The police are unable to find the thieves, so Simon decides to find them himself.

In post-WWII Hungary, a group of Communist college students arrive at a Catholic seminary hoping to engage in peaceful debate with its students.

The story of a childless Jewish couple in WWII-era Hungary who adopt a Hungarian boy and raise him with their values and traditions.

Paul Bogár is released after a year in custody on suspicion of burglary - due to lack of evidence. The man seems to accept society's declared norms, taking a hard physical job in a factory. In his spare time, however, he resumes burglarising houses, carefully and without a trace. He gives the money and the gold he gets to his sister and her family. Although he always works alone, he takes his helpless brother-in-law with him as a driver. Beetle's principle: they too have the right to a good life, and it is impossible to provide it through work. However, a rival gang takes advantage of his brother-in-law to trap him...

The sisters have been living in a Soviet barracks in Hungary for eleven years. They long to go to Moscow, but they are drawn here by habituation and inertia. Their father, the brigade commander, is dead, yet they are unable to act and prefer to remain in the closed world of the barracks. So the plot is the same, only the setting has changed.

Tibor Malkáv is an andaverage 37-year-old man, who though not rich, leads a comfortable and uncomplicated life. All this changes when he finds out his mother is dying of cancer and the cost of surgery is well beyond his means. A one-eyed man known as the Cyclops offers Tibor a solution to his financial woes, however, there is a catch and Tibor has to kill someone in return. What follows is a chain reaction that has long-lasting and unexpected results.

In 1960s Hungary, an introverted teenager’s life is turned upside down by a few days in the company of his coat hanger salesman uncle: a roguish charmer with a zest for life and a weakness for horse racing and women.

At 15 he and his family became victims of state terror. At 16 he became a freedom fighter to participate in the 1956 Revolution against Soviet oppression. At 17 he is betrayed and arrested by the dreaded Secret Police (AVH). Now he has to spend the remainder of his life in a political prison, called Hell's Hallway, to reach the legal age of 18 before his death penalty can be carried out. Peter Mansfeld was 18 when he was unjustly executed by the totalitarian regime of Hungary. Today he is remembered as one of the national heroes of Hungary.

Sweet Anna is sent as a maid to the Vizys immediately after the fall of the revolution in 1919. Since the death of her daughter, Mrs. Vizyné has devoted all her emotions and energy to the "education" of the servants. Anna is sometimes pampered, sometimes humiliated. Her nephew Jancsika seduces the young girl, who wastes all her repressed love on him. Jancsika leaves him, and when Anna wants to leave the Vizys, Vizyné, in a fit of hysteria, blackmails her and holds her back. The morning after a house party, Anna murders her hosts.

One day Novák Erzsébet kindergarten-teacher destroys her papers, cuts her hair and closes her mouth forever. She prepares for suicide namelessly, then somewhere around Normafa she accepts being taken into an asylum.

Using high-school students, Hungarian director Ferenc Kardos re-created the 1848 revolutionary period in that country's history which was dominated by the poet/soldier Sandor Petofi (1822-1849). Petofi wrote many epic poems which inspired Hungarian nationalism, the most well-known of which is Up Magyar! The students were encouraged to improvise without costumes or scenery, and did so with gusto.

This film is a documentaristic dispute about the possibilities of young people to assert themselves, to make a career. Zsuzsa is a third-year university student studying pedagogy. She has been dating Zoltán for three years, and her thinking has been fundamentally shaped by this relationship. Yet now she would like to break up with him.