Laura de la Isla

Multiple love stories unfold in Barcelona during Christmas's Eve.

Four episodes where the end of the world comes as the different ways of understanding cinema directors: with humor, or action, from the thriller, drama or romance. So, join a psychopathic murderer faced with the need to complete their master plan, a fierce battle for gaining access to alleged bunkers offering salvation hopeless romantics an invasion of desperate hunt for the love of his life and a pregnant about to give birth to the last baby on the planet.

Ten twenties. Five girls and five boys at the height of youth, when the distance is starting to make out adult life. Pieces of life captured in short sequences in different scenarios, and not follow any narrative structure. Amanecidos are the pages of a diary or a photo album open to chance. These are memories that come to mind without warning. A story that beats as strongly as its young protagonists.

A group of friends reunited. But not an afternoon. Not just any place. They are in a cemetery. Sam has died. He killed himself. What is the relationship each had with Sam? You really do not know why Sam has committed suicide? Or Lying? Tell the truth? What if there is a guilty of his death? Or more?

Julia gives birth to a boy, Iván, whose father is unknown. His mother, Mrs. Brackets, is unable to accept a bastard grandson into the family. Marta, Julia's friend, proves to be her only lifeline despite the turbulent waters. And Carolina, the nanny, a devoted fan of Emma Suárez and aspiring actress, will go from being a tangential witness to these relationships to becoming infected by their dysfunctionality.

Max [Jesús Caba] wakes up without realising that the day before the clocks went back. A chain of events take place over the course of the day as a result of him leaving the house one hour late.

Everyone expects the best from Dani. He wants to stop seeing his girl in hotels and to start bringing her home. A weekend family celebration will change his way of looking at things.